WEBVTT

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King is not just me, it is 70% of the industry.

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Every name that is very big is there.

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If you are in this industry then make sure you

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meet Shahrukh one day.  What happens is that

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after doing a film like Satya, my own

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expectations

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from people increase.  So I should

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get more money.  My salary should be higher.  They

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say young at heart,

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if you want to see that then look at Anil Kapoor.   If I

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see Shahrukh from a distance, I will feel that he is a

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star because 15 people walk with him.

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So when I met Amrish ji for the first time,

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I went to his van to have food.

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So I kept looking at him and said,

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Sir, you are such a big star.

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Where are your rebels?  What does rebel people mean

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?  What will I do by employing 15 people when one person can do the work

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?  Salman is a very reserved

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person, so it is not that I have

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talked much to Salman.

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I have worked with Salman.  I

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hope and feel that he

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likes me as an artist.  I also

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like a lot of his stuff.  This

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ego which exists is the ego of I.

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This is not the artist's ego.   If you

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say something about his art, he will never

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say anything.

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Saurabh Sir, first of all hello.

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Hello.

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Sir, tell me one thing.  First of all I

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want to know this.  Do you

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like hearing praise from your fans or

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after that praise from the President, do you feel that it's enough

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?   No. No.

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Appreciation is something that never just happens.   Yes.   The more it continues, the

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better.

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That's good.  It is fun to listen to.  So

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Sir, I would like to share a small memory with you

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that when your song Kallu Mama

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comes and I am in school and

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suddenly people start talking in my neighborhood

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that Kallu Mama Kallu Mama, we did

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not know because we did

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not have the freedom to go to the theatre, then after that the

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movie is shown in our neighborhood through VCR

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and as soon as that song plays, there is a lot of

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commotion.  Sir, believe me, that

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picture had changed the atmosphere of our entire locality.

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So, there are many fans, Sir, I remember

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such things, the way the

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craze for Kallu Mama suddenly came, I

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remember it, it is not like that, I remember it, is

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n't it, but the thing is that life, the touch

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world is so beautiful that you do not miss it, it is not like

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you miss it, oh friend, that was

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a time, today is a different time,

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so I was happy in that time and I am

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happy even today and pray that I remain happy like this,

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sir, tell me one thing, the way

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I see your journey, the way

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I see your roles, I

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see each one better than the other.

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You get the National Award for Jolly LLB.  But believe me

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sir, I feel there are many more

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powerful roles which deserved to be appreciated.

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Sir, it seems that you had some other roles which could have

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received the same respect.  You can understand

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that whatever happened with Jolly LLB, the same thing happened.

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So since you said so, I got the respect anyway.

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Haris.   Isn't it

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?  So it is not that I did

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not get respect.  Isn't it?  Aa Aa Look,

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National Award is a big thing and I was very

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happy to receive it and I will always cherish it, I will

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cherish that for the rest

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of my life, but the biggest award

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for you is the time when you are working, there is

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no bigger award than that

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when you are doing whatever work you are doing

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and that work immerses you completely in it.

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So that

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is a huge award in itself and then

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I never felt whether I got the

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award or not.

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I never thought about this because I

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always received love from people.  I kept getting to know from people whether

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they liked my work or

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liked my films.  So that's award itself, right?

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Yes sir, I can understand sir.  But there is one thing that

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if an artist gets appreciation in the way it is called an award, then

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when such things happen then

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definitely he gets a boost,

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see, I would like to say one thing here that

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getting an award does not mean much to an artist.

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This is an added thing.  There is a happiness.  Isn't it

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?  A. Art is

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more a need for him than a desire for him.  He

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cannot do anything without her.  Isn't it?  It's it's a

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necessity.

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So you get a chance to do your work

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or to say your point or to

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express your expression.

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This is what you need.  No, you don't

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work for awards, no, no, well, let me

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tell you one thing.  I I went to

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teach at FTI.  I had gone to take a workshop

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and in this way I have taken workshops for actors at two-three places

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and I

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often asked this question.  I said people

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asked Sir

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how to become a good actor or how to become an actor?

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So I said brother, I also don't know

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how to become an actor and how to become a good actor?

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But I tell you only one thing

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that

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you should just ask yourself this question that brother,

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why do I want to become an actor?  Okay, right

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?  Now when you try to find the answer to this question,

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you will actually

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not get the answer.  Isn't it?  Well, his method

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is simple.  Imagine that you are a successful

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actor.  Isn't it?  Five years from now, you are a

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successful actor.  So what do you see

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?  So you may feel

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that brother, I must have a lot of money.

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You may see that I have a lot of

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property or you may see that people

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are crazy.  If he is a boy, he will appear as if the

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girls are crazy.  If there is a girl after him then he

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thinks that all the men are crazy after her.

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Foreign travel is visible.  Traveling in first class

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is visible.  Isn't it?  Do you see all this

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?

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Yes.  I think this is what most people would understand.

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Then there is no need to become an actor.   There

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is a lot to achieve.

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If this is your dream, if you want to achieve this dream

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, then it is not necessary that you become an actor.

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Acting is also a way.

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But you can be an industrialist.   It could be the

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same thing.  There may be politicians in it.  The

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same thing may be there in that too.

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Do any other work, in any work you will reach a place

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where you will get all these things.

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The day you don't get a reply.  You

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and I say, Sir, I don't know what it is.

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And I really don't care whether I get anything or not.

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But this is what I have to do.

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This is my compulsion.

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No that you are an actor.

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There

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you will understand that you are an actor.

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What is the matter, sir.

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Because then you will

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not go here and there.  Will not wander.   Isn't it

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?

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Absolutely.  Then whether we get something, whether we get success or not

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,

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we will.   Whether

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someone praises you or not, whether someone praises you or not, it doesn't

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matter.  I took up acting.  There is a lot.

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I think Sir, you have said a very good thing

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that what we see is that

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boys and girls who come here struggle and get

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troubled in the hustle and bustle of Mumbai.

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We see their long

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depression and hear all these things, if they

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understand these things then it will be better.

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You.   Yes.

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I think so.

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Sir, I want to take you back to your journey

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and I want to know

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Sir, how things started with Banded Quits, please

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tell me Sir, during that time you had

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told me many things, when the film Chal was being shot, I

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got some information that at that

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time when Phoolan Devi was in jail, Dolly Aloo

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Walia ji used to go to meet her,

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yes Dolly because she was doing it, she

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was in costume and she is very

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senior to us and she must have gone.  Shekhar must have gone.

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Hey, we were just small actors.

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You have suddenly placed me

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on the platform, it is like picking me up from the dust.   Yes yes yes.

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And sir, the way the dacoits had come on the set

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and the whole story that you had narrated,

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sir, it was really amazing the way the

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entire cast came out of it, you have got

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one better than the other actors,

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yes yes yes, I would say this for Bandit Queen that

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today you see many people, be it

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me or Manoj, Nirmal is

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no more but Nirmal had also come here, there is

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Aditya Srivastava,

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I am talking about actors, apart from him there are

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many other people.  Tighanshu is forgetful.  Isn't it

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?  There are a lot of people.  All of this has

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come thanks to Bandit Queen.  We all

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came here together and started together.

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So today you see a lot of famous people.

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We All Came

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to This City

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Because of That Film.

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You are absolutely right sir.  Sir, like

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I met Govind Namdev Sir, he was also yours

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and I talked to him, so

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I want to understand his journey, his initial journey, that

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Sir, when an artist comes from Delhi

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and the way he is welcomed in Mumbai, everything, then

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when

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he told that his first film was

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with Subhash Ghai ji, Saudagar, and his entire role gets

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cut and he says a lot, he has

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told everyone, and the way he

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goes into depression, that he even started

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thinking of suicide, thoughts started coming to his mind, so Sir, was it

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really such an environment and did you keep yourself

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strong during that time,

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because if I

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ask from the perspective of Govind Sir, then

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see, I do not know that this happened with Namdev Bhai.

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In fact as a matter of

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fact, when you said this I suddenly realized it.

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I know Namdev Bhai very well.

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Yes,

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he was my senior.

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When I went to work in the Repertory Company, he was a

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big name

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there.  This happened

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to him and I do

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n't know at all whether he

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ever went into depression.  Isn't it?  But that's news for

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me.  If you ask me about myself,

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I will say that no brother, I have

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spent very carefree and fun days.  A. This has never happened to me.

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And even if it had happened, perhaps

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I was so foolish that I did

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not understand that someone had done something to me.

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Well, yes, so they

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say, there is

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a saying that ignorance

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is bless, yes, ignorance is bless, yes, that

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ignorance is bliss, I

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think I am quite an ignorant person, if

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anything negative is happening then I become

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very ignorant and I do

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not remember it.  So let me also tell you one thing about myself

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that

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it has often happened that if

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you ever said something about me,

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whether you said it to my face or behind my back,

00:11:38.799 --> 00:11:43.919
whatever you said, later

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you may remember it and say that Sir, I was

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not talking to you because I had

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said it about you.  I don't remember.

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I don't remember me.  I forget.

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Sir, an artist is such a person that if he is

00:11:53.120 --> 00:11:55.039
touched even a little bit, he gets hurt very quickly.

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We are

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not such artists. I am telling the truth,

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if someone starts feeling all this, then he is

00:12:00.320 --> 00:12:05.760
not an artist, or the ego that

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I have, this is

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not the ego of an artist, if you say something on his art,

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he will never say anything.

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Sir, you have told two things before to the coming generation who

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want to come in this industry,

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tell me this second thing, Sir

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brother, this is my experience, it is not for everyone, whoever understands it, understand it, whoever does not understand it, may not.

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Yes

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sir, things have become easier now than before.  The

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way your era was, the way you

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came into the industry, what understanding do you have of the artists who are coming now,

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sir?

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I have told you two things.  Let me

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tell you the third thing.

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Please sir,

00:12:36.480 --> 00:12:42.639
things were never easy.

00:12:39.519 --> 00:12:45.120
Whether it was your ancestors who were primitive humans and

00:12:42.639 --> 00:12:47.440
lived in caves, it was not easy for them

00:12:45.120 --> 00:12:49.919
and it is not easy for those who live in AC houses today.  It is

00:12:47.440 --> 00:12:54.560
equally difficult for everyone

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and equally easy for everyone.

00:12:54.559 --> 00:13:01.119
This is how you manage things.  We are

00:12:58.720 --> 00:13:02.879
amazing people, friend.  Nowadays we

00:13:01.120 --> 00:13:04.959
always keep talking about

00:13:02.879 --> 00:13:07.120
how difficult the coming times are going to be.

00:13:04.958 --> 00:13:10.239
Look Sir, do you think life has become

00:13:07.120 --> 00:13:13.278
so difficult?  How did it become difficult?

00:13:10.240 --> 00:13:16.879
Earlier we did not get food.  He used to

00:13:13.278 --> 00:13:20.480
roam around with a stick.  There was nothing to eat.  Used to go out.  The

00:13:16.879 --> 00:13:22.159
lion used to attack.  You don't have that strength.

00:13:20.480 --> 00:13:26.879
You don't have the strength of an elephant to

00:13:22.159 --> 00:13:29.600
fight.  So was that difficult or is this difficult

00:13:26.879 --> 00:13:31.679
?  Today you sit in the car and leave.

00:13:29.600 --> 00:13:34.320
Yet you keep saying it.  Humans have

00:13:31.679 --> 00:13:37.679
some habits.  He keeps making himself special.

00:13:34.320 --> 00:13:39.920
Every human being.  Hey,

00:13:37.679 --> 00:13:41.599
by big difficulties I mean my

00:13:39.919 --> 00:13:43.439
ancestors, who fought the most, brother, I think,

00:13:41.600 --> 00:13:46.639
more than our ancestors

00:13:43.440 --> 00:13:48.560
?  Who will speak about their problems?  Even today, there is

00:13:46.639 --> 00:13:50.480
a fever called injection

00:13:48.559 --> 00:13:52.879
malaria.

00:13:50.480 --> 00:13:54.879
Brother, no matter how many years, 100 years, 150 years it has been since the

00:13:52.879 --> 00:13:57.519
vaccine for malaria was invented.

00:13:54.879 --> 00:13:59.039
Yes, about malaria, no, yes about malaria.

00:13:57.519 --> 00:14:01.440
Before the medicine for malaria was discovered,

00:13:59.039 --> 00:14:04.399
malaria used to kill you, yet today you keep

00:14:01.440 --> 00:14:06.079
saying, oh friend, look, this social

00:14:04.399 --> 00:14:07.679
media has come, life has become so difficult because of it, oh, has it become

00:14:06.078 --> 00:14:09.919
difficult, friend? Well,

00:14:07.679 --> 00:14:13.599
things will keep happening, so those difficulties will keep on coming.

00:14:09.919 --> 00:14:15.599
This sir is like this,

00:14:13.600 --> 00:14:18.480
where does he come from, sir? Is he from a family, is he brought

00:14:15.600 --> 00:14:20.480
up, or is this a struggle, this kind of

00:14:18.480 --> 00:14:22.480
sir, please I would like to know, oh, how do

00:14:20.480 --> 00:14:25.680
I know, where do I come from [laughs],

00:14:22.480 --> 00:14:28.320
my thinking is like this,

00:14:25.679 --> 00:14:32.399
I have been troubled for a long time,

00:14:28.320 --> 00:14:35.440
because what is it,

00:14:32.399 --> 00:14:38.320
Anupam Kher sahab had told me something, it was

00:14:35.440 --> 00:14:40.800
amazing, he told me an anecdote about Bachchan sahab, and

00:14:38.320 --> 00:14:44.320
Kher sahab said that

00:14:40.799 --> 00:14:47.439
in his play too. Actually, Kher sahab was quite new, so when

00:14:44.320 --> 00:14:50.240
he went for shooting, Bachchan sahab was

00:14:47.440 --> 00:14:54.000
sitting, it was very hot outside, very sunny,

00:14:50.240 --> 00:14:56.720
he was sitting in the shade, so these words of Kher sahab were

00:14:54.000 --> 00:15:00.159
uttered, I went and sat next to him.

00:14:56.720 --> 00:15:03.040
Sir, I saw Anupam Kher from NSD,

00:15:00.159 --> 00:15:05.759
yes yes he became silent.  He was

00:15:03.039 --> 00:15:07.439
reading something.  So Kher Sahab said that I became

00:15:05.759 --> 00:15:10.879
very excited.  I said I had to

00:15:07.440 --> 00:15:15.920
talk about something.  So

00:15:10.879 --> 00:15:19.039
Kher Saheb said, it is very hot sir.

00:15:15.919 --> 00:15:23.439
So he said yes, it started growing again.   He

00:15:19.039 --> 00:15:26.879
said, Sir, don't you feel hot?  So

00:15:23.440 --> 00:15:27.920
Bachchan sahab looked at him and said, if I think about it, it seems so.   If I don't think then it doesn't happen.   It's just

00:15:32.799 --> 00:15:40.799
that, friend.

00:15:36.879 --> 00:15:43.838
Whatever you think, the greatest

00:15:40.799 --> 00:15:48.000
power a human being has is thinking.

00:15:43.839 --> 00:15:51.839
So this is a well-known thing, friend.  Is the world

00:15:48.000 --> 00:15:54.240
bad or good?   The

00:15:51.839 --> 00:15:58.000
world is the world.  I don't know whether it is good

00:15:54.240 --> 00:15:58.959
or bad.  Whatever you think will happen.

00:15:58.958 --> 00:16:04.239
Sir, you mentioned social media and the

00:16:01.679 --> 00:16:06.000
way you just said it is what you think it is.

00:16:04.240 --> 00:16:08.320
The way we

00:16:06.000 --> 00:16:09.759
see it today.  Even the smallest thing is

00:16:08.320 --> 00:16:11.920
made into such a big issue.

00:16:09.759 --> 00:16:13.680
How much trouble it is, isn't it?  There's a bigger problem than our ancestors

00:16:11.919 --> 00:16:15.599
[laughter].  He did

00:16:13.679 --> 00:16:17.919
not have social media.  He was very happy.   Was

00:16:15.600 --> 00:16:19.680
very happy.  Sir, I want to know

00:16:17.919 --> 00:16:22.159
that the kind of roles you have played, the kind

00:16:19.679 --> 00:16:25.120
of characters you have played, if you had

00:16:22.159 --> 00:16:27.519
come in your present form, what would you have done, would you have done them in the same excellent

00:16:25.120 --> 00:16:29.759
manner because from Kallu Mama to

00:16:27.519 --> 00:16:32.399
the way that song is, if

00:16:29.759 --> 00:16:33.440
this is done in today's time then we all will be

00:16:32.399 --> 00:16:35.839
trolled in the same way.

00:16:33.440 --> 00:16:38.639
Look, you have questioned the fact

00:16:35.839 --> 00:16:41.440
that the work you have done has been done.

00:16:38.639 --> 00:16:44.000
What will happen today?  I

00:16:41.440 --> 00:16:45.519
speak correctly and simply.  So man, I was still working then.  I am still

00:16:44.000 --> 00:16:47.919
working today.  Even today I like

00:16:45.519 --> 00:16:50.399
my work,

00:16:47.919 --> 00:16:53.278
I have not changed anything in my work.  It is

00:16:50.399 --> 00:16:55.198
not like that the day Mark Jockerberg

00:16:53.278 --> 00:16:56.799
created Facebook, I said no, now

00:16:55.198 --> 00:16:58.958
I will change my acting style.  This did

00:16:56.799 --> 00:17:01.599
not happen.  I am the same man.  That's what I'm doing.

00:16:58.958 --> 00:17:06.480
Look friend, what is good is

00:17:01.600 --> 00:17:08.400
good.  Isn't it?  Think about it, brother,

00:17:06.480 --> 00:17:10.400
things change with the changing times.

00:17:08.400 --> 00:17:13.839
Hey brother, how will Shakespeare survive

00:17:10.400 --> 00:17:16.400
then?  Shakespeare is still alive today.

00:17:13.838 --> 00:17:19.279
He wrote it 500 years ago.  How

00:17:16.400 --> 00:17:22.640
is he alive till today?  Is alive.  Because brother, that work was

00:17:19.279 --> 00:17:25.519
good.  He relates to people.  He will

00:17:22.640 --> 00:17:27.520
always do it.  He will continue.  Do

00:17:25.519 --> 00:17:29.119
you still read Mahabharata?  We still

00:17:27.519 --> 00:17:31.839
read Ramayana, right?  What happened?  Has social media

00:17:29.119 --> 00:17:34.159
changed Ramayana?  Did you change the Mahabharata?   It has

00:17:31.839 --> 00:17:35.839
n't changed, right?  What can social media do,

00:17:34.160 --> 00:17:38.080
friend?  Ok.

00:17:35.839 --> 00:17:39.918
Sir, please

00:17:38.079 --> 00:17:42.319
tell me from the perspective of the director of direction.  On the basis of the way the audience has become

00:17:39.919 --> 00:17:45.440
sensitive, I

00:17:42.319 --> 00:17:47.759
want to know that that liberty is no longer there. It seems that

00:17:45.440 --> 00:17:49.600
people are now afraid of showing certain things

00:17:47.759 --> 00:17:52.400
because if a film like PK is

00:17:49.599 --> 00:17:56.959
made today, then the way

00:17:52.400 --> 00:17:58.559
you are talking about it, brother, the

00:17:56.960 --> 00:18:00.558
people who have come to object now,

00:17:58.558 --> 00:18:01.519
yes it is

00:18:00.558 --> 00:18:05.678
correct sir,

00:18:01.519 --> 00:18:08.079
yes they are objecting, brother, if you are

00:18:05.679 --> 00:18:10.559
objecting then I will not ask you, have

00:18:11.359 --> 00:18:17.759
you

00:18:13.679 --> 00:18:20.798
seen Iranian films?  There are some

00:18:17.759 --> 00:18:24.240
very beautiful films.  There are very

00:18:20.798 --> 00:18:27.759
beautiful films.  It is a very romantic

00:18:24.240 --> 00:18:33.000
film.  And

00:18:27.759 --> 00:18:33.000
showing romance between man and woman is banned there.

00:18:33.038 --> 00:18:42.160
You have a boy who loves another girl.

00:18:36.558 --> 00:18:46.000
As a man and a woman that is banned.

00:18:42.160 --> 00:18:51.360
But it is not like that, when they were filming in

00:18:46.000 --> 00:18:53.440
old Iran, there was no

00:18:51.359 --> 00:18:57.038
restriction there.

00:18:53.440 --> 00:19:03.679
Ok.  Then these bans were imposed.  You should watch his films.

00:18:57.038 --> 00:19:06.160
You feel the same love, the same things.   Isn't it

00:19:06.160 --> 00:19:10.400
?  He changed the way of saying it.

00:19:08.880 --> 00:19:12.559
He said okay.  You banned it.

00:19:10.400 --> 00:19:15.840
We will not show this.

00:19:12.558 --> 00:19:18.480
But there is no dearth of love and romance.

00:19:15.839 --> 00:19:20.639
It reflects off of different things.

00:19:20.640 --> 00:19:26.320
You Know.  So what I mean to say is that it is okay, something can happen

00:19:23.839 --> 00:19:28.480
at a certain time.  Brother, it

00:19:26.319 --> 00:19:33.279
may be that

00:19:28.480 --> 00:19:35.440
someone has a particular society which is like this

00:19:33.279 --> 00:19:39.119
in the whole world, at this time everyone has become a little

00:19:35.440 --> 00:19:42.160
sensitive.  The whites have

00:19:39.119 --> 00:19:45.759
moved towards white supremacy.  Isn't it

00:19:42.160 --> 00:19:50.558
?  Tell them that no sir,

00:19:45.759 --> 00:19:53.759
America is a country

00:19:50.558 --> 00:19:56.480
where everyone has come from outside.

00:19:53.759 --> 00:19:59.200
Everyone is a 200 year old country from outside.

00:19:56.480 --> 00:20:00.960
Everyone has come from outside.   They have started

00:19:59.200 --> 00:20:02.000
saying there that

00:20:00.960 --> 00:20:04.160
Red Indians were

00:20:02.000 --> 00:20:08.000
Red Indians before that.  Ok.  No

00:20:04.160 --> 00:20:11.759
problem.  It is like that.

00:20:08.000 --> 00:20:14.960
But a lot of these things are

00:20:11.759 --> 00:20:17.519
politically driven.  It happens due to the sentiment of that time.

00:20:14.960 --> 00:20:20.400
It does

00:20:17.519 --> 00:20:22.079
n't matter.  You

00:20:20.400 --> 00:20:27.200
can still say what you want to say and it is not necessary that you

00:20:22.079 --> 00:20:29.678
fight for it.  Not everything is about boys.   Isn't it

00:20:27.200 --> 00:20:31.600
?  Even if I'm misunderstanding you.

00:20:29.679 --> 00:20:33.679
Suppose I don't agree with you.

00:20:31.599 --> 00:20:36.079
So this does not mean that I should

00:20:33.679 --> 00:20:38.080
talk to you by abusing you or shouting at you.

00:20:36.079 --> 00:20:40.240
I can also tell you,

00:20:38.079 --> 00:20:44.000
look,

00:20:40.240 --> 00:20:47.279
I think you're wrong.  Maybe

00:20:44.000 --> 00:20:49.038
I am wrong.  This can also be said.

00:20:47.279 --> 00:20:50.720
Okay sir, tell me one thing,

00:20:49.038 --> 00:20:54.240
I was watching one of your interviews where

00:20:50.720 --> 00:20:55.919
you said that there was a time when I used to do

00:20:54.240 --> 00:20:57.440
films for a day just on people's insistence

00:20:55.919 --> 00:20:57.679
and I was not even getting paid.

00:20:57.679 --> 00:21:00.640
Correct.

00:20:58.319 --> 00:21:02.639
So sir, what was the basis at that time?

00:21:00.640 --> 00:21:05.280
Regarding not getting the money, Sir, how was it really,

00:21:05.279 --> 00:21:08.879
if you please tell me,

00:21:06.558 --> 00:21:12.399
I have already told about it in great detail

00:21:08.880 --> 00:21:15.280
that there was a time when it had become true, so the

00:21:15.279 --> 00:21:23.678
fault in it is not of the industry or of anyone.

00:21:20.319 --> 00:21:26.319
I was also partly at fault in this.

00:21:23.679 --> 00:21:29.360
What happens is that after doing a film like Satya,

00:21:26.319 --> 00:21:32.000
my own expectations

00:21:29.359 --> 00:21:34.479
from people increase.  I feel that

00:21:32.000 --> 00:21:37.359
people have liked one of my works,

00:21:34.480 --> 00:21:39.759
so I should get more money.

00:21:37.359 --> 00:21:42.719
My salary should be higher.

00:21:39.759 --> 00:21:43.519
Or I should get a longer length of the role.

00:21:43.519 --> 00:21:45.679
Correct.

00:21:44.000 --> 00:21:47.440
Okay, right?  But it is not necessary that the other person

00:21:45.679 --> 00:21:51.519
's perspective is the same.  There was

00:21:47.440 --> 00:21:53.840
a time when people used to say that

00:21:51.519 --> 00:21:56.720
brother Saurabh, you are a very good actor but

00:21:53.839 --> 00:21:57.839
roles were not being thought of for me, this happens

00:21:57.839 --> 00:22:04.480
in the life of all actors, it happened

00:22:00.000 --> 00:22:07.359
with me too, at that time I did

00:22:04.480 --> 00:22:09.919
not feel like working, I did not feel like doing those roles

00:22:07.359 --> 00:22:12.158
and it is true

00:22:09.919 --> 00:22:14.400
that brother, for a day's money, for a day's

00:22:12.159 --> 00:22:16.880
role, that is, for a small role, you

00:22:14.400 --> 00:22:19.759
cannot get that much money, so

00:22:16.880 --> 00:22:22.320
your mind was

00:22:19.759 --> 00:22:23.759
not agreeing at all.  So I started telling people

00:22:22.319 --> 00:22:26.480
that brother, I am

00:22:23.759 --> 00:22:29.119
not an actor.  I don't want to act.

00:22:26.480 --> 00:22:30.480
I am a writer.  I have written the truth.  So

00:22:29.119 --> 00:22:32.239
I will do the writing.  I will not act.

00:22:30.480 --> 00:22:34.720
Just to avoid the fact that I am being forced to play

00:22:32.240 --> 00:22:37.120
this role and people don't think

00:22:34.720 --> 00:22:39.519
that he is a very arrogant man.

00:22:37.119 --> 00:22:42.158
What do you think of yourself?  I don't want to do it.  I just

00:22:39.519 --> 00:22:44.158
said that.  And there is no other reason because during this time

00:22:42.159 --> 00:22:46.240
Sir you worked with many big producers

00:22:44.159 --> 00:22:49.360
but the roles were not that entrepreneurial,

00:22:46.240 --> 00:22:52.240
then after that when the time changed,

00:22:49.359 --> 00:22:57.439
Barfi came and the

00:22:52.240 --> 00:23:00.159
same year in which I did Barfi, I did

00:22:57.440 --> 00:23:04.960
Jolly, the first one, after that my life completely

00:23:00.159 --> 00:23:09.280
changed, after that Raid came, then Jolly PK

00:23:04.960 --> 00:23:12.480
came, then Jolly 2 came, then Jolly, then it

00:23:09.279 --> 00:23:14.960
became a forest, that would have happened, yes yes Sir,

00:23:12.480 --> 00:23:17.038
you praised Ranbir Kapoor a lot.

00:23:14.960 --> 00:23:19.120
What was that conversation like, if you could tell me what was that

00:23:19.119 --> 00:23:23.519
conversation like that which boosted your motivation, if it was

00:23:21.440 --> 00:23:26.159
on a personal level that you develop a

00:23:23.519 --> 00:23:29.119
connection with someone.  Isn't it?  He is

00:23:26.159 --> 00:23:33.440
much younger than me.  Isn't it?

00:23:29.119 --> 00:23:36.879
But the thing is that

00:23:33.440 --> 00:23:41.759
we both are of the same age in heart and mind.  Isn't it

00:23:36.880 --> 00:23:44.240
?  That's the dizziness.  So it's very fun.  It is

00:23:41.759 --> 00:23:46.240
not that I meet him every day

00:23:44.240 --> 00:23:47.839
or we keep meeting all the time.

00:23:46.240 --> 00:23:49.519
He lives in his own world.

00:23:47.839 --> 00:23:52.480
I live in my own world.  But

00:23:49.519 --> 00:23:55.359
whenever we meet, we have a lot of fun.   I

00:23:52.480 --> 00:23:58.798
met him during Barfi

00:23:55.359 --> 00:24:01.038
and I really enjoyed talking to him and

00:24:01.038 --> 00:24:08.558
seeing his craft.  He is a very good actor.  I

00:24:03.759 --> 00:24:10.960
think very well.  So

00:24:08.558 --> 00:24:13.359
I enjoyed that a lot.  As a matter of fact,

00:24:10.960 --> 00:24:15.440
I have also recently done an

00:24:13.359 --> 00:24:18.319
ad film with him.

00:24:15.440 --> 00:24:20.320
Yes.  So we were together for two days.

00:24:18.319 --> 00:24:23.359
We talked a lot.

00:24:20.319 --> 00:24:25.599
Sir, the hospitality of the Kapoor family is of a different

00:24:23.359 --> 00:24:26.719
level because I was

00:24:25.599 --> 00:24:28.879
talking to Manoj Paav Sir.

00:24:26.720 --> 00:24:31.759
So that same story that you made, the

00:24:28.880 --> 00:24:34.400
whiskey one, you guys went to Old Run.   Same thing happened

00:24:31.759 --> 00:24:36.640
with him too, he told

00:24:34.400 --> 00:24:38.320
that we were sitting with Ranveer.   Okay okay,

00:24:38.319 --> 00:24:42.720
yes, it is

00:24:42.720 --> 00:24:45.200
not that I know everyone in the Kapoor family.

00:24:45.200 --> 00:24:50.640
Yes, now I am talking about Ranbir only.

00:24:47.119 --> 00:24:53.359
Yes, I have met Chintu ji.  He was also a

00:24:50.640 --> 00:24:57.919
very funny man.  Of course he was much

00:24:53.359 --> 00:24:59.519
senior to me and ah

00:24:57.919 --> 00:25:02.480
but

00:24:59.519 --> 00:25:07.359
I always had a great relationship with Chintu ji, I mean he was a very very

00:25:02.480 --> 00:25:09.599
handsome man, but

00:25:07.359 --> 00:25:12.558
with Ranveer I met him completely independently, not like

00:25:09.599 --> 00:25:17.079
Rishi Kapoor son you know it was not like that ah

00:25:12.558 --> 00:25:17.079
and there was a

00:25:18.880 --> 00:25:25.200
very friendly atmosphere

00:25:22.240 --> 00:25:28.798
with Ranbir, so it is like that, so

00:25:25.200 --> 00:25:31.759
their hospitality is famous,

00:25:28.798 --> 00:25:36.639
they are

00:25:31.759 --> 00:25:38.960
very fond of food and drinks, everyone knows this, right,

00:25:36.640 --> 00:25:42.480
but I am not that close to the family, right, yes, I have met

00:25:42.480 --> 00:25:45.759
Ranbir as much as I have,

00:25:45.759 --> 00:25:53.200
right sir, I want to know that

00:25:48.880 --> 00:25:55.919
like I am talking about Kick, if I talk about Salman Khan ji's

00:25:53.200 --> 00:25:58.640
hobby and you too, a six year old

00:25:55.919 --> 00:26:00.880
child, had a hobby of painting, we see you too were fond of painting, so has there ever been any mention

00:26:02.720 --> 00:26:07.278
of painting

00:26:05.119 --> 00:26:12.479
between you two,

00:26:07.278 --> 00:26:16.720
ah no, ah I have worked with Salman, ah I

00:26:12.480 --> 00:26:19.919
hope so and this is my feeling

00:26:16.720 --> 00:26:20.798
that he likes me as an artist.   Isn't it

00:26:20.798 --> 00:26:27.519
?  I also like a lot of his stuff.

00:26:24.480 --> 00:26:30.000
I know he paints

00:26:27.519 --> 00:26:31.519
and does it with passion.  I used to

00:26:30.000 --> 00:26:32.159
paint in my childhood.   Yes.

00:26:32.159 --> 00:26:34.320
That's why I want to know sir.

00:26:33.679 --> 00:26:36.080
Yes.

00:26:34.319 --> 00:26:37.759
But

00:26:36.079 --> 00:26:38.240
Salman comes reserved.

00:26:37.759 --> 00:26:40.558
Good.

00:26:38.240 --> 00:26:42.480
So it is not that I have

00:26:40.558 --> 00:26:46.079
talked much to Salman.

00:26:42.480 --> 00:26:48.400
A: There is no such conversation.  But we

00:26:46.079 --> 00:26:52.240
talked only as much as we met.  I never

00:26:48.400 --> 00:26:54.960
spoke to him and

00:26:52.240 --> 00:26:56.880
Salman still practices that art.

00:26:54.960 --> 00:26:58.640
I left it, so

00:26:56.880 --> 00:27:01.760
after that I never did

00:26:58.640 --> 00:27:03.919
painting, I do it whenever I feel like it.

00:27:01.759 --> 00:27:07.119
But now I don't get those images

00:27:03.919 --> 00:27:09.440
which come to a painter's mind because

00:27:07.119 --> 00:27:12.158
when you keep practicing an art,

00:27:09.440 --> 00:27:14.960
your mind starts working that way.

00:27:12.159 --> 00:27:17.200
You know it starts thinking that way.  Isn't it

00:27:14.960 --> 00:27:20.960
?  So I never did that art.

00:27:17.200 --> 00:27:23.759
Ah but yes ah he is very passionate ah about

00:27:20.960 --> 00:27:26.480
his art.  They even have art galleries

00:27:23.759 --> 00:27:28.480
etc.  I know this much.

00:27:26.480 --> 00:27:29.120
No, I just wanted to understand that I have never

00:27:32.720 --> 00:27:35.360
met him so many times that we ever

00:27:34.798 --> 00:27:38.798
spoke.

00:27:35.359 --> 00:27:39.759
Yes yes sir, as our conversation went on, the word

00:27:38.798 --> 00:27:40.400
King came up.

00:27:39.759 --> 00:27:42.798
Yes King

00:27:40.400 --> 00:27:45.600
ji, you are Shahrukh Khan in that too.  Yes yes, what

00:27:42.798 --> 00:27:48.240
if I could just tell the fans

00:27:45.599 --> 00:27:50.558
as much as I allow you, if I could tell them something about

00:27:48.240 --> 00:27:53.200
what kind of expectations the fans should have

00:27:50.558 --> 00:27:55.759
because Suhana is also coming, it is a

00:27:53.200 --> 00:27:58.159
very important film for Shahrukh, so what would I say,

00:27:55.759 --> 00:27:59.919
if I could give a little hint because only this

00:27:58.159 --> 00:28:00.960
one reel will be cut, yes yes

00:28:00.960 --> 00:28:05.880
you understood, that is why I said it openly

00:28:02.713 --> 00:28:05.879
[laughs]

00:28:05.919 --> 00:28:11.840
look friend,

00:28:09.119 --> 00:28:13.839
in King it is not only me but

00:28:11.839 --> 00:28:14.798
70% of the industry.

00:28:13.839 --> 00:28:19.359
Or

00:28:14.798 --> 00:28:23.000
is it?  Every name that is very big is there.

00:28:23.119 --> 00:28:27.038
Shahrukh,

00:28:24.640 --> 00:28:30.000
I will say one thing to everyone.  However, it will be

00:28:27.038 --> 00:28:32.558
difficult for Shahrukh.

00:28:30.000 --> 00:28:35.440
If you are in this industry then make sure you

00:28:32.558 --> 00:28:38.480
meet Shahrukh one day.   It's

00:28:35.440 --> 00:28:41.200
a very fun moment when

00:28:38.480 --> 00:28:44.000
you talk to them.   He is a

00:28:41.200 --> 00:28:48.960
very amazing man.  He is a very charismatic

00:28:44.000 --> 00:28:50.480
man.  Isn't it?  So I would say

00:28:48.960 --> 00:28:52.798
that

00:28:52.798 --> 00:29:02.158
whatever work I did in King, whenever I did it, it was a

00:28:57.599 --> 00:29:04.959
very beautiful memorable moment

00:29:02.159 --> 00:29:08.960
for me.   I can

00:29:04.960 --> 00:29:12.000
understand sir.  Sir, please explain one thing to me, do

00:29:08.960 --> 00:29:14.558
Anil Kapoor sir and you

00:29:12.000 --> 00:29:16.398
both share some diet among yourselves

00:29:14.558 --> 00:29:18.240
?

00:29:16.398 --> 00:29:19.519
You are asking because his and my

00:29:18.240 --> 00:29:22.000
body are similar.

00:29:19.519 --> 00:29:24.960
No, both of you are reverse aging,

00:29:22.000 --> 00:29:27.759
sir.  Why do you mean sir, it's

00:29:24.960 --> 00:29:31.278
not this one, it's that one, he is very fit.  What are you

00:29:27.759 --> 00:29:35.519
talking about my reverse aging brother?  That is Anil Sir.

00:29:31.278 --> 00:29:39.558
He has discipline and not

00:29:35.519 --> 00:29:39.558
just discipline, they

00:29:39.599 --> 00:29:45.519
say he is young at heart, if you want to

00:29:42.240 --> 00:29:48.079
see that then look at Anil Kapoor.

00:29:48.079 --> 00:29:53.359
How long has Anil Kapoor been a star?  As soon as you

00:29:51.278 --> 00:29:56.398
go closer and talk to them, you will understand immediately.

00:29:53.359 --> 00:29:59.359
He doesn't treat himself like a star.

00:29:56.398 --> 00:30:02.398
He treats himself so normally.  It seems like it's

00:30:02.398 --> 00:30:07.439
a new comer who has just started.   He

00:30:05.119 --> 00:30:10.000
treats himself like that.  And that's why he stays young.

00:30:10.000 --> 00:30:12.640
Oh,

00:30:10.640 --> 00:30:14.960
even today that hunger is there in him.

00:30:12.640 --> 00:30:15.759
We looked amazing in Subedar.

00:30:14.960 --> 00:30:16.720
Very good.

00:30:15.759 --> 00:30:18.960
Very good.   Yes

00:30:16.720 --> 00:30:20.000
sir, his special fans can expect something from

00:30:18.960 --> 00:30:21.919
him too.   One

00:30:20.000 --> 00:30:23.919
can expect a lot, sir.  One

00:30:21.919 --> 00:30:27.120
can expect a lot.  You have seen the trailer.   It's

00:30:23.919 --> 00:30:30.000
very good.

00:30:27.119 --> 00:30:32.479
Suresh Triveni is a wonderful director.  Isn't it?  The film has been

00:30:30.000 --> 00:30:34.398
shot very well.  I also did the right thing.

00:30:32.480 --> 00:30:36.159
He did not do anything bad inside.  So

00:30:34.398 --> 00:30:39.278
you can expect a lot.   Yes yes yes

00:30:36.159 --> 00:30:41.919
sir.  Sir, I would like to talk about the hero

00:30:39.278 --> 00:30:44.319
because in it Amrish Puri Sahab ji, I

00:30:41.919 --> 00:30:47.200
mean I did not have the good fortune of

00:30:44.319 --> 00:30:49.439
meeting him.  Sir, if you can explain to today's generation

00:30:47.200 --> 00:30:51.600
because we hear many stories about him, if you can

00:30:51.599 --> 00:30:55.678
tell about him as an artist

00:30:53.359 --> 00:30:57.439
because whatever kind of character he wants, I am

00:30:55.679 --> 00:30:59.360
not talking only about the villain.  The kind of

00:30:57.440 --> 00:31:01.919
characters he used to play.  Sir, if you could tell me about the kind of impression he

00:30:59.359 --> 00:31:02.798
left, then

00:31:02.798 --> 00:31:10.319
I met Amrish Puri sahab only

00:31:06.398 --> 00:31:14.719
in one or two films.  Isn't it?  He was a very

00:31:10.319 --> 00:31:18.480
big star at that time and

00:31:18.480 --> 00:31:26.480
he remained a big star as long as he lived.

00:31:23.200 --> 00:31:29.519
What you hear about him is that brother, it is

00:31:26.480 --> 00:31:32.159
not like that he

00:31:29.519 --> 00:31:34.960
started his career at a very old age

00:31:32.159 --> 00:31:37.039
and reached that level of success.

00:31:34.960 --> 00:31:39.360
If you look at his work, he was

00:31:37.038 --> 00:31:41.359
dominant in commercial films.  But

00:31:39.359 --> 00:31:43.278
you see him in Govindlani's films.

00:31:41.359 --> 00:31:46.398
You see him in Shyam Benigal's films.  The

00:31:43.278 --> 00:31:50.398
range of that man was

00:31:46.398 --> 00:31:53.439
amazing.  He was a very simple man.   Isn't it

00:31:50.398 --> 00:31:57.038
?  He was a big star but a very

00:31:53.440 --> 00:31:57.038
simple man.   I don't

00:32:02.558 --> 00:32:07.599
mean much to him, I didn't meet him enough to

00:32:04.558 --> 00:32:12.398
know anything about his craft.

00:32:07.599 --> 00:32:15.278
But as a human being, whatever I got to know in one or two

00:32:12.398 --> 00:32:20.719
films, I understood a lot of it.

00:32:15.278 --> 00:32:20.720
Many things became clear.   Do

00:32:23.679 --> 00:32:26.798
you want me to say something about this?

00:32:25.119 --> 00:32:28.879
No no sir, I just wanted to know

00:32:26.798 --> 00:32:31.759
that if you tell me something related to the hero

00:32:28.880 --> 00:32:33.679
then just

00:32:31.759 --> 00:32:37.038
look at that, I will tell you in a very simple way.

00:32:33.679 --> 00:32:42.640
And it's not a comment on anything.  A

00:32:37.038 --> 00:32:44.798
but as a young actor when you start a new job.

00:32:42.640 --> 00:32:46.480
Of course you want to be

00:32:44.798 --> 00:32:50.079
successful.  You want to be a star.

00:32:46.480 --> 00:32:52.159
Everybody Wants to Be a Star.  Okay, right?

00:32:50.079 --> 00:32:56.158
But you don't understand

00:32:52.159 --> 00:32:59.278
how one becomes a star.  Isn't it?  You see the star from a distance.  Let

00:32:56.159 --> 00:33:03.120
me just watch from a distance.  If I

00:32:59.278 --> 00:33:06.798
see Shahrukh from a distance, I will feel that he is a star

00:33:03.119 --> 00:33:08.639
because 15 people walk with him.

00:33:08.640 --> 00:33:14.240
Two trains run.  Three vehicles travel

00:33:10.319 --> 00:33:16.639
with them.  Isn't it?  A bus runs.  So

00:33:14.240 --> 00:33:18.880
you think this is what a star is.  If you

00:33:16.640 --> 00:33:22.240
talk to a star, he is not the same person.  Isn't it

00:33:18.880 --> 00:33:26.840
?  He is a very intelligent person.

00:33:22.240 --> 00:33:26.839
Correct.

00:33:29.759 --> 00:33:38.000
So those were all confusions.  So when I

00:33:34.720 --> 00:33:39.759
met Amrish ji for the first time,

00:33:39.759 --> 00:33:45.278
I went to his van to have food.

00:33:42.880 --> 00:33:50.080
Call me and sit.

00:33:45.278 --> 00:33:51.440
Yes, I saw that there was a man with him.

00:33:50.079 --> 00:33:53.119
OK was

00:33:51.440 --> 00:33:55.919
his makeup man.  We used to

00:33:53.119 --> 00:33:58.558
make the same for them.

00:33:55.919 --> 00:33:58.880
He also helped him in serving tea and coffee.

00:33:58.880 --> 00:34:03.120
We

00:33:59.359 --> 00:34:05.359
probably did the driving too.  Oh, so

00:34:03.119 --> 00:34:08.000
I kept looking at it like that.  I said sir, you are

00:34:05.359 --> 00:34:10.000
such a big star.

00:34:10.000 --> 00:34:15.599
Where are your rebels?  What does 'kah rebel log' mean

00:34:12.960 --> 00:34:19.800
?

00:34:15.599 --> 00:34:19.800
What will I do by employing 15 people when one person can do the work?

00:34:20.398 --> 00:34:28.398
I said this is also correct sir.  So

00:34:25.440 --> 00:34:30.559
think from the point of view of each young actor who is

00:34:28.398 --> 00:34:32.398
building his image that no, no, the

00:34:30.559 --> 00:34:34.878
day I will take 15 people with me, that day I will be a

00:34:32.398 --> 00:34:38.000
star.  Does he really understand that there is a

00:34:34.878 --> 00:34:40.159
star standing in front of you, friend?

00:34:38.000 --> 00:34:42.639
You can take one or 15.

00:34:40.159 --> 00:34:45.039
It doesn't matter.  That is at your

00:34:42.639 --> 00:34:48.960
convenience.  What do you want to do?

00:34:45.039 --> 00:34:51.440
But that is not the mark of a star.  The star

00:34:48.960 --> 00:34:54.240
is you.

00:34:51.440 --> 00:34:56.800
This is like I tell you about Hollywood.

00:34:54.239 --> 00:34:57.679
Reeves is there, yes, yes,

00:34:56.800 --> 00:34:58.800
everyone,

00:34:57.679 --> 00:34:59.519
Reeves is such a big star.

00:34:58.800 --> 00:35:01.200
Yes, everything goes on as

00:34:59.519 --> 00:35:03.440
normal.

00:35:01.199 --> 00:35:03.838
Came to India by the way.

00:35:03.440 --> 00:35:05.679
Ok.

00:35:03.838 --> 00:35:07.519
Came to India.  He is fond of playing guitar.   The

00:35:07.519 --> 00:35:11.358
program was going on.  The main singer was someone else.

00:35:09.679 --> 00:35:14.239
Standing back, he slowly

00:35:11.358 --> 00:35:18.880
played the guitar.  He plays the bass guitar.  Played the bass guitar

00:35:14.239 --> 00:35:21.279
and left.  Keiano Reeves There

00:35:18.880 --> 00:35:24.880
was no publicity Keiano Reeves is coming to

00:35:21.280 --> 00:35:30.400
India.  No it was the singer he was in the

00:35:24.880 --> 00:35:32.320
band.  He played it back and left.  It is his hobby.  But

00:35:30.400 --> 00:35:33.920
I want to talk about this open book.

00:35:33.920 --> 00:35:38.159
What are you bringing for the audience this time sir

00:35:36.000 --> 00:35:40.400
?  There is something special because we have been

00:35:38.159 --> 00:35:42.480
watching you as an actor.  I

00:35:40.400 --> 00:35:44.559
know you very well as a writer too.

00:35:42.480 --> 00:35:47.358
What is it like with Saurabh Sir this time in direction?  So if I were to

00:35:44.559 --> 00:35:52.719
define the film Jab Khuli Kitaab for you,

00:35:47.358 --> 00:35:56.400
it is a family film and a

00:35:52.719 --> 00:36:00.639
film on the beauty of relationships.

00:35:56.400 --> 00:36:03.680
But it's not just a

00:36:00.639 --> 00:36:08.719
hunky dory or a rosy

00:36:03.679 --> 00:36:11.519
picture.  This is a very real picture.

00:36:08.719 --> 00:36:13.919
The absurdity of life is also present in it.  Isn't it

00:36:11.519 --> 00:36:17.679
?   There are a

00:36:13.920 --> 00:36:20.800
lot of smiles.  There are a lot of

00:36:17.679 --> 00:36:24.480
tears too.   It makes me

00:36:20.800 --> 00:36:27.920
laugh and it also makes me sad.  Isn't it?

00:36:24.480 --> 00:36:31.920
So, a very heart-warming

00:36:27.920 --> 00:36:34.960
film, which I

00:36:31.920 --> 00:36:39.200
must say is very soft, very

00:36:34.960 --> 00:36:40.880
fragile, this is a film about emotions.

00:36:39.199 --> 00:36:43.519
A:

00:36:40.880 --> 00:36:45.680
I have written and produced the film, so

00:36:43.519 --> 00:36:47.519
obviously I like it very much.

00:36:45.679 --> 00:36:49.759
But my good luck is that all the people who are

00:36:47.519 --> 00:36:53.199
doing interviews right now have

00:36:49.760 --> 00:36:55.680
seen the film.  And people have really, really said very

00:36:53.199 --> 00:36:58.159
beautiful things about it.  It has

00:36:55.679 --> 00:37:01.759
great performances by Pankaj Kapoor, Dimple

00:36:58.159 --> 00:37:07.598
Kapadia, Apaar Shakti, Sameer

00:37:01.760 --> 00:37:11.839
Soni, Nauheed Hai Na Mansi, Sunil

00:37:07.599 --> 00:37:14.640
Palwal and many more many more.  So Everybody

00:37:11.838 --> 00:37:17.759
Is Beautiful.  It's a It's a It's a

00:37:14.639 --> 00:37:20.400
beautifully short film.  It's shot in

00:37:17.760 --> 00:37:23.760
Ranikhet, right?

00:37:20.400 --> 00:37:26.000
This film is set in the lap of the Himalayas.  Visually

00:37:23.760 --> 00:37:30.240
very beautiful film.  Very beautiful

00:37:26.000 --> 00:37:32.559
music composed by Rita Jaya and

00:37:30.239 --> 00:37:35.439
produced by Music Production,

00:37:32.559 --> 00:37:39.838
its entire arrangement and everything has been done.  The

00:37:35.440 --> 00:37:43.838
original score is done by

00:37:39.838 --> 00:37:46.078
Prati Jyoti Ghosh.  A so everything is going for.

00:37:43.838 --> 00:37:48.799
Sir, please tell me, given the current

00:37:46.079 --> 00:37:51.519
times, as a writer, how did you

00:37:48.800 --> 00:37:54.240
feel that an open book will be able to reach the

00:37:51.519 --> 00:37:56.400
hearts of the audience through a message

00:37:54.239 --> 00:37:59.519
?  One, if we talk about its presentation,

00:37:56.400 --> 00:38:02.079
I think we are talking about the end results,

00:37:59.519 --> 00:38:04.559
how will it reach the hearts of the audience

00:38:02.079 --> 00:38:06.960
or what is the current era like?  I think at

00:38:04.559 --> 00:38:10.719
least I don't do such things.

00:38:06.960 --> 00:38:12.800
I don't carry the end result.  You do

00:38:10.719 --> 00:38:14.159
n't make a film to give any message.

00:38:14.159 --> 00:38:18.799
Or

00:38:18.800 --> 00:38:24.800
you don't worry about how to reach the hearts of the audience.  You are

00:38:22.239 --> 00:38:26.959
compelled by an idea.  It keeps coming to your mind again and again

00:38:24.800 --> 00:38:28.560
that this is good and that keeps

00:38:26.960 --> 00:38:30.480
growing on its own.

00:38:28.559 --> 00:38:33.838
Where did this seed come from?  Sir, please

00:38:30.480 --> 00:38:36.559
tell me this again.  This in between means that is the story you keep searching for.

00:38:33.838 --> 00:38:39.039
Thousands of stories and

00:38:36.559 --> 00:38:42.239
ideas keep coming to you every day.  50

00:38:39.039 --> 00:38:46.239
Ideas keep happening here and there, sometimes in real life, sometimes

00:38:42.239 --> 00:38:47.838
on paper, sometimes somewhere else.  So, just like that,

00:38:47.838 --> 00:38:54.960
one idea gets stuck.  It

00:38:52.960 --> 00:38:57.280
then starts developing on its own.  Then

00:38:54.960 --> 00:39:00.320
gradually you start feeling that no

00:38:57.280 --> 00:39:02.240
friend, this is good and dramatic.  Well, there

00:39:00.320 --> 00:39:05.359
are a lot of possibilities in this.  You start

00:39:02.239 --> 00:39:06.959
feeling like this and then it comes back

00:39:05.358 --> 00:39:09.519
and then you start feeling that no friend, I should

00:39:06.960 --> 00:39:12.320
write something on this.  Isn't it?  That idea

00:39:09.519 --> 00:39:15.440
itself forces you to do it.  So

00:39:12.320 --> 00:39:19.519
this is the basic process and when you

00:39:15.440 --> 00:39:21.679
start writing it, then you

00:39:19.519 --> 00:39:23.039
actually do not know what you want to say.

00:39:23.039 --> 00:39:25.759
You liked an idea.

00:39:24.800 --> 00:39:26.880
You started.

00:39:25.760 --> 00:39:30.560
You started.   Yes.

00:39:26.880 --> 00:39:32.160
And then while saying this to you, suddenly you understand

00:39:30.559 --> 00:39:34.159
that okay friend, I can

00:39:32.159 --> 00:39:37.440
say something on this also.  I can say something on this matter also.  While

00:39:34.159 --> 00:39:39.199
saying this, slowly its soul

00:39:37.440 --> 00:39:42.320
comes into your hands.

00:39:39.199 --> 00:39:45.118
And then in totality by the time you finish the

00:39:42.320 --> 00:39:46.880
film you approximately know what you are

00:39:45.119 --> 00:39:49.920
trying to say.

00:39:46.880 --> 00:39:51.760
And then the audience receives it.  And

00:39:49.920 --> 00:39:53.920
perspective also comes from them.

00:39:51.760 --> 00:39:56.560
How did he feel?

00:39:53.920 --> 00:39:58.960
Not only did you like or dislike it, but what did you feel about

00:39:56.559 --> 00:40:00.719
what you wanted to say and

00:39:58.960 --> 00:40:02.320
how people received it,

00:40:00.719 --> 00:40:04.480
this is a complete process.

00:40:02.320 --> 00:40:06.559
Yes Sir, tell me, when

00:40:04.480 --> 00:40:08.480
you were at the writing stage, was the casting coming to your mind at that time

00:40:06.559 --> 00:40:12.078
or did it come to

00:40:08.480 --> 00:40:16.400
your mind after the completion of writing, whether intentionally or unintentionally.  Isn't it

00:40:12.079 --> 00:40:20.880
?  Which

00:40:16.400 --> 00:40:25.440
also becomes your wish list.  It rarely happens

00:40:20.880 --> 00:40:27.920
that you get what is on your wish list

00:40:25.440 --> 00:40:31.039
because it is not necessary that the person who has come to your mind will

00:40:31.039 --> 00:40:38.719
like this story.  This is not necessary.  Isn't it?  But I will say that

00:40:34.800 --> 00:40:42.640
it was a beautiful coincidence

00:40:38.719 --> 00:40:45.439
in this film that

00:40:42.639 --> 00:40:47.199
all the people I thought about are

00:40:45.440 --> 00:40:50.720
in the film today.

00:40:47.199 --> 00:40:52.960
Oh Sir, when you left, I would like to talk about Pankaj Sir, he is

00:40:50.719 --> 00:40:55.598
very selective.  I mean,

00:40:52.960 --> 00:40:57.760
tell me with them, when

00:40:55.599 --> 00:40:59.920
you told them the story, what about them, if the

00:40:57.760 --> 00:41:02.079
audience would definitely like to know what kind of

00:40:59.920 --> 00:41:03.680
choice of roles they have.  What kind of

00:41:02.079 --> 00:41:05.839
things live there.  So as a director, when you

00:41:03.679 --> 00:41:07.838
went to him with your story, then actually only

00:41:05.838 --> 00:41:10.239
Pankaj ji can answer this question

00:41:07.838 --> 00:41:15.039
best.  But I can tell you

00:41:10.239 --> 00:41:18.399
that Pankaj ji or any other actor at least I can say that this

00:41:15.039 --> 00:41:21.358
much actors have

00:41:18.400 --> 00:41:24.160
only one choice.  This is

00:41:21.358 --> 00:41:28.239
a script through which they can identify

00:41:24.159 --> 00:41:31.199
whatever they want to do and whatever they like very much.

00:41:28.239 --> 00:41:33.838
Ok?  Let me tell you about Pankaj ji.

00:41:31.199 --> 00:41:37.439
I did not have to tell the story to Pankaj ji.

00:41:33.838 --> 00:41:39.920
I went to meet him and

00:41:37.440 --> 00:41:42.800
met him for the first time in my life.  Although I

00:41:39.920 --> 00:41:44.480
knew him long ago.  Meaning, I

00:41:42.800 --> 00:41:47.280
knew about him but we basically never met.

00:41:44.480 --> 00:41:49.280
As a matter of fact,

00:41:47.280 --> 00:41:52.720
I had never met Dimple Ma'am either.

00:41:49.280 --> 00:41:54.640
A I went to meet

00:41:52.719 --> 00:41:57.439
Pankaj ji at his place.  Pankaj ji

00:41:54.639 --> 00:41:59.519
said that brother, I like to study.  Do

00:41:57.440 --> 00:42:00.960
n't tell me a story.  I will read it and then

00:41:59.519 --> 00:42:02.960
tell you.  Okay,

00:42:00.960 --> 00:42:04.079
and

00:42:02.960 --> 00:42:07.199
you left the fourth day script?

00:42:04.079 --> 00:42:10.318
I had left the script of course.  So on the

00:42:07.199 --> 00:42:11.919
fourth day he called and he said I am doing the picture.

00:42:11.920 --> 00:42:16.720
Ok.  If this is all that happens then it means I will

00:42:15.119 --> 00:42:18.318
not be able to tell you anything.  What did they

00:42:16.719 --> 00:42:22.879
read, what did they feel?   Isn't it

00:42:18.318 --> 00:42:25.679
?  That and the other thing about Dimple Ma'am was that

00:42:22.880 --> 00:42:27.838
she was definitely on my mind.  But I was

00:42:25.679 --> 00:42:30.399
keeping that idea away.  Because

00:42:27.838 --> 00:42:33.279
Dimple ma'am is such a big

00:42:30.400 --> 00:42:35.039
actress, such a big star.

00:42:33.280 --> 00:42:36.560
He did so much work in commercial films

00:42:35.039 --> 00:42:39.440
and not only in commercial films

00:42:36.559 --> 00:42:41.119
but he also did

00:42:39.440 --> 00:42:43.280
very good work in parallel cinema.  Rudaali was one of his

00:42:41.119 --> 00:42:44.880
films which became very famous at one time.

00:42:44.880 --> 00:42:52.400
When this discussion was going on, one of Nolan's

00:42:48.400 --> 00:42:55.358
films, Christopher Nolan, had done

00:42:52.400 --> 00:42:57.519
this.  So I thought that it is fine, it is

00:42:55.358 --> 00:43:01.279
in my mind, so what,

00:42:57.519 --> 00:43:03.599
but why should I dream of something that will never be

00:43:01.280 --> 00:43:07.760
fulfilled and this was my mistake, this was

00:43:03.599 --> 00:43:11.519
my own inhibition, so Sameer Nair

00:43:07.760 --> 00:43:15.440
and my partner Narendra

00:43:11.519 --> 00:43:19.199
told me that no, I must send the script, so I

00:43:15.440 --> 00:43:21.519
sent the script and after

00:43:19.199 --> 00:43:25.199
sending the script, I sent it today, yesterday

00:43:21.519 --> 00:43:28.159
and the day before yesterday, that is, after three days I got a call.

00:43:25.199 --> 00:43:31.358
I did not have Dimple ji's number.  When I

00:43:28.159 --> 00:43:35.039
picked up the phone, I heard her beautiful, powerful voice.

00:43:31.358 --> 00:43:36.880
She said, Saurabh ji, I am Dimple

00:43:35.039 --> 00:43:39.519
Kabadiya speaking.  I

00:43:36.880 --> 00:43:42.318
read your script.  I am doing this film

00:43:39.519 --> 00:43:43.358
and no one else will do this role except me.

00:43:42.318 --> 00:43:45.519
Oh,

00:43:43.358 --> 00:43:46.639
I mean

00:43:45.519 --> 00:43:49.440
we

00:43:46.639 --> 00:43:50.159
mean you, what more can a human being ask for.

00:43:50.159 --> 00:43:57.279
Same thing happened with Apaar also.  Apaar was also

00:43:54.318 --> 00:43:59.759
in my mind.  I used to think that

00:43:57.280 --> 00:44:02.640
if the character of Negi is an

00:43:59.760 --> 00:44:04.079
actor like Apaar, then I did not think of Apaar

00:44:02.639 --> 00:44:06.078
because of this, I thought of it

00:44:04.079 --> 00:44:09.200
because Apaar had started doing well.  He was getting

00:44:06.079 --> 00:44:11.039
roles for them.  Whatever it may be,

00:44:09.199 --> 00:44:13.679
Apaar's role is very important.

00:44:11.039 --> 00:44:15.599
Negi has a very good role in this.

00:44:13.679 --> 00:44:19.118
But the

00:44:15.599 --> 00:44:21.838
story is about these two characters.

00:44:19.119 --> 00:44:23.838
Pankaj ji and Dimple.  So I thought

00:44:21.838 --> 00:44:27.838
that when I tell this to Apaar, he might

00:44:23.838 --> 00:44:31.519
say that Saurabh ji, please

00:44:27.838 --> 00:44:34.480
give me a script in which the story is about me.   That's what

00:44:31.519 --> 00:44:36.159
I thought.  But I

00:44:34.480 --> 00:44:37.760
only told Apar the idea and his character

00:44:36.159 --> 00:44:40.559
and he stood up, shook hands

00:44:37.760 --> 00:44:43.920
and said sorry sir, I am in.

00:44:40.559 --> 00:44:46.159
So it was really a wonderful time and

00:44:43.920 --> 00:44:48.639
although I don't believe much in luck

00:44:46.159 --> 00:44:50.399
and stars etc.

00:44:48.639 --> 00:44:52.879
But I think my stars were

00:44:50.400 --> 00:44:57.200
aligned and I was lucky that everything happened the way it did.

00:44:52.880 --> 00:45:02.480
Right from applause, who

00:44:57.199 --> 00:45:07.598
believed in this film so much,

00:45:02.480 --> 00:45:09.760
my partner Narendra and Mahesh, everyone worked shoulder to shoulder

00:45:07.599 --> 00:45:13.519
and they believed in the

00:45:09.760 --> 00:45:17.200
story and

00:45:13.519 --> 00:45:19.679
keeping the story as the main thing, everyone moved on.

00:45:17.199 --> 00:45:23.358
And it is really a beautiful experience

00:45:19.679 --> 00:45:25.838
Sir, I have also seen the film and the way

00:45:23.358 --> 00:45:28.639
you have woven the fabric of relationships

00:45:25.838 --> 00:45:30.400
from the beginning till the end, the way the

00:45:28.639 --> 00:45:32.239
complex things are

00:45:30.400 --> 00:45:35.200
seen and the emotions that are expressed in it,

00:45:32.239 --> 00:45:35.838
believe me Sir, it is amazing.  Sir, please

00:45:35.838 --> 00:45:39.440
tell me one thing, I am completely surprised by you now.

00:45:37.679 --> 00:45:40.960
You have been

00:45:39.440 --> 00:45:43.039
interviewing me for so long.  At least this much

00:45:40.960 --> 00:45:44.960
praise should be given in the beginning so that

00:45:43.039 --> 00:45:45.759
I too get some courage.

00:45:44.960 --> 00:45:48.720
[Laughter]

00:45:45.760 --> 00:45:51.280
No sir, it's really amazing.  Sir,

00:45:48.719 --> 00:45:53.759
tell me one thing, was there a

00:45:51.280 --> 00:45:55.680
plan to release it in theatres for theatrical or were

00:45:53.760 --> 00:45:58.079
you planning for OTT from the beginning, as a

00:45:55.679 --> 00:46:00.480
filmmaker, if you ask about

00:45:58.079 --> 00:46:02.400
any film, there is

00:46:00.480 --> 00:46:04.400
always a little attraction of a big screen.

00:46:02.400 --> 00:46:08.720
Every filmmaker wants his film to

00:46:04.400 --> 00:46:14.400
go to theatres.  But understand one thing,

00:46:08.719 --> 00:46:16.959
going to the theatre is not the ultimate goal of

00:46:14.400 --> 00:46:19.838
the filmmaker.   The

00:46:16.960 --> 00:46:22.800
goal of the filmmaker is to

00:46:19.838 --> 00:46:27.519
reach an audience that can relish it.

00:46:22.800 --> 00:46:32.000
Ok?  The times we are

00:46:27.519 --> 00:46:36.400
going through are very good times.  Isn't it?  A.

00:46:32.000 --> 00:46:38.880
Look, theatre in itself has

00:46:36.400 --> 00:46:41.680
always been

00:46:38.880 --> 00:46:42.318
a tough business.

00:46:41.679 --> 00:46:48.159
Yes, it

00:46:42.318 --> 00:46:51.358
is absolutely true, it requires a lot of money.  A

00:46:48.159 --> 00:46:51.679
lot of planning is required.

00:46:51.358 --> 00:46:54.318
Yes,

00:46:51.679 --> 00:46:56.480
and there is no guarantee whether people will

00:46:54.318 --> 00:46:58.480
come to the theatre to watch your film or not.  He

00:46:56.480 --> 00:46:59.440
may even come.  It is possible that he may not

00:46:58.480 --> 00:46:59.679
even come.

00:46:59.440 --> 00:47:02.480
Yes, right

00:46:59.679 --> 00:47:06.399
?  So when all these things happen then a little bit of

00:47:02.480 --> 00:47:09.119
that remains, so it is a struggle

00:47:06.400 --> 00:47:11.519
which is absolutely correct, it has always been there

00:47:09.119 --> 00:47:13.838
and the films have also been successful, yes, it is a

00:47:13.838 --> 00:47:21.679
very good time when another

00:47:19.199 --> 00:47:22.799
format has come to us which is OTT,

00:47:22.800 --> 00:47:33.359
OTT is amazing that what

00:47:29.440 --> 00:47:37.679
should be said in it that the

00:47:33.358 --> 00:47:40.719
ethics of the film are intact.

00:47:37.679 --> 00:47:43.118
Cinematic language is used.  It's not

00:47:40.719 --> 00:47:44.000
like television.  Television has

00:47:43.119 --> 00:47:44.880
created its own unique format.

00:47:44.000 --> 00:47:48.318
That is completely different.   Isn't it

00:47:44.880 --> 00:47:51.920
?  That is completely different.  So whatever cinema

00:47:48.318 --> 00:47:56.480
desires, it fulfils all those things.

00:47:51.920 --> 00:47:58.960
And it is a lot it takes your work to

00:47:56.480 --> 00:48:01.199
a much wider audience.  So, like

00:47:58.960 --> 00:48:06.480
this film is releasing on Zee5, Zee5 has a

00:48:01.199 --> 00:48:10.000
huge audience base in Hindi and that

00:48:06.480 --> 00:48:12.960
audience is a home grown audience, so that is a

00:48:10.000 --> 00:48:16.400
lot of people to whom you

00:48:12.960 --> 00:48:18.880
want to reach.  Look, you should understand that

00:48:16.400 --> 00:48:23.200
it is easy that the film was

00:48:18.880 --> 00:48:25.039
released in Mumbai and Delhi.  But it is not necessary

00:48:23.199 --> 00:48:27.118
that it will happen in Jabalpur or not.   Isn't it

00:48:27.119 --> 00:48:28.160
?

00:48:27.679 --> 00:48:31.598
Correct.

00:48:28.159 --> 00:48:34.960
Or will it happen in Tughlakabad or not?

00:48:31.599 --> 00:48:37.599
Even if it happens, I don't know if it will be shown in some

00:48:34.960 --> 00:48:40.318
other small town, a very small town where there are two

00:48:37.599 --> 00:48:44.318
theatres, so I don't know whether it will be shown there or

00:48:40.318 --> 00:48:48.639
not.  But the base of OTT is such that

00:48:44.318 --> 00:48:51.838
it reaches everywhere.  So, you get to

00:48:48.639 --> 00:48:54.000
reach a bigger audience and which is I think what

00:48:51.838 --> 00:48:54.480
every filmmaker wants at the

00:48:54.000 --> 00:48:56.559
end of it.

00:48:54.480 --> 00:48:58.800
Right, right.  Definitely, sir.  I just

00:48:56.559 --> 00:49:01.599
want to understand that the way money is spent

00:48:58.800 --> 00:49:04.318
and the way the entire source of income is

00:49:01.599 --> 00:49:06.240
in the industry, on that basis OTT has become so

00:49:04.318 --> 00:49:09.358
strong that if a maker

00:49:06.239 --> 00:49:11.519
makes films of his choice and

00:49:09.358 --> 00:49:11.920
earns a decent amount from it, if you can tell.

00:49:11.920 --> 00:49:19.358
Look, I am telling you about this, I am the wrong person because I do

00:49:19.358 --> 00:49:25.440
not understand the business of theatre,

00:49:22.159 --> 00:49:27.039
how does theatrical business happen?  Is there a ratio of

00:49:25.440 --> 00:49:29.119
100 crores, 200 crores in that, no no,

00:49:27.039 --> 00:49:31.119
that happens, of course, it happens only when the money

00:49:29.119 --> 00:49:32.880
comes, but what is its

00:49:31.119 --> 00:49:35.760
distribution, how do you

00:49:32.880 --> 00:49:40.079
expect it, how do you generate that, I am

00:49:35.760 --> 00:49:42.960
not a business person, I am a film business person, I am

00:49:40.079 --> 00:49:45.839
on the creative side and I can

00:49:42.960 --> 00:49:49.760
tell only what I know.  Similarly, how does

00:49:45.838 --> 00:49:53.358
OTT work?  I don't know but I know that they have been

00:49:49.760 --> 00:49:55.760
creating original work, when you say so,

00:49:53.358 --> 00:49:57.679
what happens is that

00:49:55.760 --> 00:49:59.599
brother, you make a film, release it in theatres

00:49:57.679 --> 00:50:02.078
and it is later shown on OTT,

00:49:59.599 --> 00:50:03.920
but at the same time, in every OTT, you will

00:50:02.079 --> 00:50:07.599
see that there is a direct to OTT which is called

00:50:03.920 --> 00:50:11.519
the original OTT original, so of

00:50:07.599 --> 00:50:14.000
course they must have some business model

00:50:11.519 --> 00:50:16.639
which is very successful, only then they give so much money

00:50:14.000 --> 00:50:18.800
and not to one but to many people, they

00:50:16.639 --> 00:50:23.199
make big films.  Those people make all kinds of films.  So I

00:50:18.800 --> 00:50:25.440
really don't know how it

00:50:23.199 --> 00:50:29.679
works.  That for that I am sure that

00:50:25.440 --> 00:50:31.838
you should interview some OTT officials.   Right right.

00:50:29.679 --> 00:50:34.399
Sir I just wanted to understand

00:50:31.838 --> 00:50:36.000
because one the way you are coming up with stories

00:50:34.400 --> 00:50:38.720
, the way you are doing things.

00:50:36.000 --> 00:50:41.119
So everyone has the same desire to go to the theatre.

00:50:38.719 --> 00:50:43.199
You explained very well what mathematics is

00:50:41.119 --> 00:50:45.039
and how things work.  It was on that basis that

00:50:43.199 --> 00:50:48.239
I asked you the question.  Hum

00:50:45.039 --> 00:50:50.000
a Sir Anything Else Sir

00:50:48.239 --> 00:50:52.078
if you want to say something about this film because then I would like to

00:50:50.000 --> 00:50:54.318
move forward with you Sir

00:50:52.079 --> 00:50:58.079
yes, I mean I would like to say this about this film

00:50:54.318 --> 00:50:58.480
that it is a very beautiful film,

00:50:58.079 --> 00:51:00.640
yes only if

00:51:00.639 --> 00:51:05.199
you watch the trailer you will understand

00:51:03.119 --> 00:51:07.280
how beautiful this world is.   It has been

00:51:05.199 --> 00:51:10.879
shot at a very beautiful place.  The songs are

00:51:07.280 --> 00:51:13.280
very good.  You will listen to him.  As per

00:51:10.880 --> 00:51:16.400
your request, I am telling this to the audience

00:51:13.280 --> 00:51:20.319
that they have said, suppose

00:51:16.400 --> 00:51:22.400
complex cities and the world

00:51:20.318 --> 00:51:25.440
which is the entire fabric of this film is

00:51:22.400 --> 00:51:27.599
beautiful, we enjoyed it a lot, we had a

00:51:25.440 --> 00:51:30.079
great joy making this film and I want to

00:51:27.599 --> 00:51:30.800
share that joy

00:51:30.079 --> 00:51:33.519
with the audience

00:51:30.800 --> 00:51:35.920
and believe me, you must not have seen such a web of relationships and the

00:51:33.519 --> 00:51:36.480
kind of emotions before,

00:51:36.480 --> 00:51:39.280
what a thing

00:51:37.199 --> 00:51:42.239
sir, some rapid fire and a few, let's do it

00:51:39.280 --> 00:51:45.200
quickly sir, a Jolly LLB, Akshay

00:51:42.239 --> 00:51:49.118
Kumar or Arshad Warsi, who is Lata,

00:51:45.199 --> 00:51:49.598
okay brother listen, I will give you the truth,

00:51:49.599 --> 00:51:55.359
absolutely sir, give it to me immediately, this

00:51:51.920 --> 00:51:56.800
war that you people are creating, I am

00:51:55.358 --> 00:51:59.838
not the only one responsible,

00:51:56.800 --> 00:52:03.359
yes no, in this war that you people are creating, you

00:51:59.838 --> 00:52:07.199
ask who is Arshad Warsi or

00:52:03.358 --> 00:52:11.440
Akshay Kumar, both are artists in art,

00:52:07.199 --> 00:52:14.078
friend, know one thing, and I have also

00:52:11.440 --> 00:52:17.679
heard someone saying this, then my belief has become

00:52:14.079 --> 00:52:20.800
completely firm in this thing, in art there

00:52:17.679 --> 00:52:22.639
is no better, best

00:52:20.800 --> 00:52:25.839
and worse, everybody

00:52:22.639 --> 00:52:28.879
is different,

00:52:25.838 --> 00:52:31.838
if you understand this, then what you say is

00:52:28.880 --> 00:52:34.079
yours  Who is the best actor in Nazar?

00:52:31.838 --> 00:52:37.039
Hey, what does best actor mean, friend?   An

00:52:34.079 --> 00:52:39.519
actor is an actor.  One actor is different

00:52:37.039 --> 00:52:42.159
from the other actor.

00:52:39.519 --> 00:52:43.440
This or this?  Hey brother, why are you putting a noose around my neck

00:52:42.159 --> 00:52:47.039
?

00:52:43.440 --> 00:52:48.800
Ok sir let's move ahead.  Theatre or movie.   I have only

00:52:47.039 --> 00:52:50.480
one life, my friend.

00:52:48.800 --> 00:52:53.680
Yes.  Embrace whatever you find.   Do

00:52:50.480 --> 00:52:55.199
n't grab whatever you find.  I will do whatever I want.   If

00:52:55.199 --> 00:53:00.318
you want to embrace, then embrace.  [laughs]

00:52:58.159 --> 00:53:02.639
Which artist did you see being the most prepared on set

00:53:00.318 --> 00:53:04.719
?  If I have to name one,

00:53:02.639 --> 00:53:07.598
you might have noticed that he used to

00:53:04.719 --> 00:53:10.639
come most prepared.

00:53:07.599 --> 00:53:12.880
Brother, if I had been watching all this then

00:53:10.639 --> 00:53:14.558
how would I have acted or done art myself

00:53:12.880 --> 00:53:16.640
because then I would have kept paying attention to these things

00:53:14.559 --> 00:53:18.480
that who has

00:53:16.639 --> 00:53:20.159
come prepared?  Who didn't come prepared?  Then

00:53:18.480 --> 00:53:21.440
I will do those things, right?  Then I will not do any work.

00:53:21.440 --> 00:53:24.400
OK sir.  Mumbai vs Delhi food.  Where

00:53:24.079 --> 00:53:25.680
?

00:53:24.400 --> 00:53:27.519
Mumbai vs Delhi food.

00:53:25.679 --> 00:53:29.598
Yes, your favorite.

00:53:27.519 --> 00:53:32.000
My favorite.  We are from

00:53:29.599 --> 00:53:32.800
Mumbai for Vada Pav, Delhi for Chole Bhature.

00:53:32.800 --> 00:53:36.880
OK sir.  Beer or whiskey?

00:53:35.760 --> 00:53:37.280
Beer or whiskey?

00:53:36.880 --> 00:53:39.358
Yes.   Nothing.

00:53:39.358 --> 00:53:44.318
The saint is a man.   Since

00:53:41.679 --> 00:53:47.519
when have you adopted this practice of Sir Sadhat?

00:53:44.318 --> 00:53:49.199
Always the old monk.

00:53:47.519 --> 00:53:51.599
OK sir.  Thank you so much sir.

00:53:49.199 --> 00:53:52.000
Look at the picture again.

00:53:51.599 --> 00:53:54.559
Sure.

00:53:52.000 --> 00:53:55.599
Watch with the whole family.

00:53:54.559 --> 00:53:56.400
Show it to the producer also.

00:53:55.599 --> 00:53:59.359
Thank you so much.

00:53:56.400 --> 00:53:59.358
Ok.
