WEBVTT

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[Music]

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the uh uniform code of military

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Justice specifies Court marshal for any

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officer who sends a soldier into battle

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without a weapon

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there ought to be a similar protection

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for students because students shouldn't

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go out into life without an ability to

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communicate and that's because your

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success in life will be determined

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largely by your ability to speak your

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ability to write and the quality of your

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ideas in that

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order I know that I can be successful in

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this

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because the quality of

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communication your speaking your writing

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is largely determined by this

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formula it's a matter of how much

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knowledge you have how much you practice

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with that knowledge and you're inherent

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talent and notice that the tea is very

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small what really matters is what you

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know this point came to me U suddenly a

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few decades ago when I was skiing at Sun

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Valley I had heard that it was celebrity

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weekend and one of the celebrities was

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a was Mary L Reon famous Olympic gymnast

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perfect tens in the vault and I heard

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that she was an novice at skiing so when

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the opportune moment arrived I looked

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over on a novice slope and saw this

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young woman who when she became

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unbalanced went like that and I said

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that's got to be her that must be the

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gymnast but then it occurred to me I'm a

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much better skier than she is and she's

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an Olympic Athlete not only an ordinary

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Olympic Athlete an outstanding

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one and I was a better skier because I

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had the K and I had the p and all she

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had was the tea so you can get a lot

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better than people who may have inherent

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talents if you have the right amount of

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knowledge so that's what my objective is

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today and here's my promise today you

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will see

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some examples of what you can put in

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your

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armorium of speaking techniques

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and it will be the casee that someone of

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those examples some urtic some technique

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maybe only one will make will be the one

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that gets you the

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job and so this is a very nonlinear

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process you never know when it's going

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to happen but that is my promise by the

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end of the next 60 Minutes you'll been

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exposed to a lot of ideas some of which

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you'll incorporate into your own

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repertoire and they will ensure that you

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get the maximum

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opportunity to uh have your

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ideas uh valued and accepted by the

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people you speak with now in order to do

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that we have to have a rule of

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Engagement and that

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is no laptops no cell phones so if you

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could close those I'll start up as soon

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as you're

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done some people ask why that uh is a is

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a rule

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engagement and the answer is we humans

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only have one language processor and if

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your language processor is engage could

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you shut the laptop please if your

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language processor is engaged browsing

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the web or reading your email you're

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distracted and worse yet you distract

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all the people around you Studies have

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shown that and worse yet if I see a open

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laptop somewhere back there or up here

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it drives me nuts and I do a worse job

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and so that ensures that all of your

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friends who were who are paying

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attention uh don't get the performance

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that they came to

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have so that's it for Preamble let's get

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started first thing to talk about of

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course is how to

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start some people think the right thing

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to do is to start a talk

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a

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joke I don't recommend

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it and the reason is that in the

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beginning of a talk people are still

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putting their laptops away they're

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becoming adjusted to your speaking

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parameters to your vocal

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parameters and they're not ready for a

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joke so it doesn't work very well they

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usually fall

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flat what you want to do instead is

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start with empowerment

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promise you want to tell people what

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they're going to know at the end of the

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hour that they didn't know at the

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beginning of the hour it's an

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empowerment promise it's the reason for

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being

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here uh what would be an example oh I

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see at the end of this 60 Minutes you

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will know things about speaking you

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don't know now and something among those

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things you know will be make a

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difference in your life yeah that's an

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empowerment promise so that's the best

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way to

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start so now that I've talked a little

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bit about how to start what I want to do

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is give you some samples of tics that

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are always on my mind when I give a

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talk and first of these

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tics is that it's a good idea to cycle

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on the

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subject go around it go around it again

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go around

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again some people say tell them what you

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want to tell

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them tell them again and then tell them

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a third time as if

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people weren't intelligent but the point

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is the reason is well there are many

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reasons one of which is at any given

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moment about 20% of you will be fogged

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out no matter what the lecture is so if

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you want to ensure that the probability

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that everybody gets it is high you need

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to say it three

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times so cycling is one of the things

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that I always think about when I give a

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talk another thing I think about is in

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explaining my idea I want to build a

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fence around

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it so that it's not confused with

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somebody else's idea so if you were from

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Mars and I was teaching you about what

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an arch is I might say to you well

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that's an arch and that's not to be

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confused with some other things that

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other people might think is an AR this

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is not an AR

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Arch that's not an arch I'm building a

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fence around my idea so that it can be

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distinguished from somebody else's idea

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so in a more technical sense I might say

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well my algorithm might similar might

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seem similar to Jones's algorithm except

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his is exponential and mine's linear

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that's putting a fence around your idea

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so that people can not be confused about

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how it might relate to something

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else the third thing on this list of

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samples

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is the idea of verbal

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punctuation and the idea here is that

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because people will uh occasionally fog

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out and need to get back on the bus you

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need to provide some Landmark places

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where you're announcing that it's a good

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time to get back on

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so I might in this talk say something

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about this being my

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outline the first thing we're going to

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do is talk about how to start then we're

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going to deal with these four samples

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and among these four samples I've talked

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about the first idea that's cycling the

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second idea building a and now the third

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idea is build is verbal

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punctuation so I'm enumerating I'm

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providing numbers I'm giving you a sense

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that there's a seam in the talk and you

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can get back back on

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okay so now we're on a

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roll uh and since we're on a

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roll can you uh guess what fourth idea

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might be here an idea that helps people

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get back on the

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bus yes ask question ask a question yes

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thank

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you so ask a question

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and so I will ask a question how how

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much dead air can there be how long can

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I pause uh I counted 7 Seconds it seems

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like an eternity to me to wait and not

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say anything for 10 for 7 seconds but

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that's the the standard amount of time

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you can wait for an answer and of course

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the question has to be carefully chosen

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it can't be too obvious because then

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people will be embarrassed to say what

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the answer is can't be too hard because

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nobody will have anything to

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say so here are some sample eristics you

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can put in your armorium and build up

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your your repertoire of uh ideas about

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presentation and now if this persuades

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you that there is something to know that

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there there is knowledge then I've

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already succeeded because what I want to

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convince you of is if you watch the

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speakers you admire and feel are

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effective and ask yourselves why they're

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successful then you can build up your

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own personal repertoire and develop your

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own personal style and that's that's my

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fundamental

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objective and the rest of this talk is

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about some of the things that are in my

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arm inventorium that I think are

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effective so next thing on our agenda as

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we start to discuss these other things

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is a discussion of time and place so

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what do you think is a good time to have

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a lecture

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11:00 a.m.

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yeah and the reason

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is most people at MIT are awake by then

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and hardly anyone is going back to

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sleep it's not right after a meal people

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aren't fatigued from this or that it's a

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great time to have a

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lecture so that brings me next to the

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question of what about the place and the

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most important thing about the place is

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that it be well

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lit this room is well

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lit problem with the other kinds of

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rooms is that we

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humans uh whenever the lights go down or

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whe whenever the room is dimly lighted

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it signals that we should go to sleep so

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whenever I go somewhere to give a talk

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even today the first thing I do when I

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speak to the audiovisual people is say

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keep the lights full

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up oh they might

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reply people will see the slides better

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if we turn the lights off and then I

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reply it's extremely hard to see slides

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through closed

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eyelids what else can you say about the

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place well the place should be

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cased and I mean that in the clal sense

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of like uh if you're robbing a bank you

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would go to the bank you know some some

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occasions before to see what it's like

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so there are no surprises when you uh

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when you do your

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robbery so uh whenever I go somewhere to

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speak the first thing I ask my host to

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do is to take me to the place where I'll

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be speaking so that there any

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weirdnesses I'll be able to

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um to deal with it uh sometimes it might

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require some intervention some time it

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just might require me to understand what

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the challenges are so when I came here

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this morning I did what I typically do I

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imagined that all the seats were filled

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with disinterested farm

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animals that way I knew that no matter

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how bad it was it wouldn't be as bad as

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that so uh finally it should be

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reasonably it should be reasonably

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populated

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it should

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be it should be the case that you know

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if there are 10 people in this Hall

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everyone would be wondering what's going

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on that's so much more interesting that

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nobody's here so you want to get a right

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siiz place that's doesn't have to be

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packed but it has to be more than half

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full so those are some thoughts about uh

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time and place next thing I want to talk

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about is uh subject of uh bo boards and

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props and

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slides well these are the tools of the

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trade uh I uh believe that this is the

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uh this is the the right tool for uh

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speaking when your purpose is uh

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informing uh the slides are good when

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your purpose is uh exposing but this is

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what I use when I'm informing teaching

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lecturing

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and there are several reasons why I use

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it for one thing when you use the board

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you have a Graphic

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quality it's the case that when you have

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a board then you can easily exploit the

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fact that you can use Graphics in your

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presentation so that's the graphic

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quality that I like and next thing I

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like is like a speed property

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the speed with which you write on the

00:14:31.919 --> 00:14:36.479
Blackboard is approximately the speed at

00:14:33.839 --> 00:14:38.920
which people can absorb ideas if you go

00:14:36.480 --> 00:14:41.920
flipping through a bunch of slides

00:14:38.919 --> 00:14:41.919
nobody can go that

00:14:43.000 --> 00:14:50.320
fast finally one great property of a

00:14:46.278 --> 00:14:50.320
board is that it's can be a

00:14:52.799 --> 00:14:59.599
Target many people

00:14:55.278 --> 00:15:02.838
who are novices at speaking find

00:14:59.600 --> 00:15:05.278
themselves uh suddenly aware of their

00:15:02.839 --> 00:15:07.000
hands it's as if their hands were

00:15:05.278 --> 00:15:09.720
private parts that shouldn't be exposed

00:15:07.000 --> 00:15:12.159
in public so right away they go into the

00:15:09.720 --> 00:15:14.600
pockets and this is considered insulting

00:15:12.159 --> 00:15:17.399
in some parts of the world or

00:15:14.600 --> 00:15:21.839
alternatively maybe the hands will go in

00:15:17.399 --> 00:15:23.000
in back like this I was once in a

00:15:21.839 --> 00:15:27.720
Convent in

00:15:23.000 --> 00:15:30.039
Serbia and uh my uh host U well we were

00:15:27.720 --> 00:15:32.360
as soon as we entered a nun came up to

00:15:30.039 --> 00:15:34.679
us and offered us a refreshment and I

00:15:32.360 --> 00:15:37.240
was about to say no thank you when he

00:15:34.679 --> 00:15:40.719
said eat that stuff or

00:15:37.240 --> 00:15:44.440
die it's a question of local custom and

00:15:40.720 --> 00:15:46.720
and politeness but then uh before

00:15:44.440 --> 00:15:49.639
anything happened there uh the nun

00:15:46.720 --> 00:15:51.240
pulled my hands off like this because it

00:15:49.639 --> 00:15:53.879
was extraordinarily insulting in that

00:15:51.240 --> 00:15:57.000
culture to have your hands behind your

00:15:53.879 --> 00:15:59.360
back so uh why is that well it's it's

00:15:57.000 --> 00:16:00.720
usually supposed that that's what that

00:15:59.360 --> 00:16:03.199
has to do with whether you're concealing

00:16:00.720 --> 00:16:07.440
a weapon so if your hands are in your

00:16:03.198 --> 00:16:10.078
pockets behind your back then um it

00:16:07.440 --> 00:16:12.360
looks like you might have a weapon and

00:16:10.078 --> 00:16:14.399
that's what I mean by The Virtue one of

00:16:12.360 --> 00:16:15.759
these virtues of the board now you have

00:16:14.399 --> 00:16:18.720
something to do with your hands you can

00:16:15.759 --> 00:16:18.720
point out the

00:16:19.000 --> 00:16:23.958
stuff I was once watching Seymour paper

00:16:21.679 --> 00:16:26.638
give a lecture I thought it was terrific

00:16:23.958 --> 00:16:28.399
so I went a second time first time to

00:16:26.639 --> 00:16:29.639
absorb the content second time to note

00:16:28.399 --> 00:16:31.519
the style

00:16:29.639 --> 00:16:34.120
and what I discovered is that papet was

00:16:31.519 --> 00:16:35.399
constantly pointing at the board and

00:16:34.120 --> 00:16:38.039
then I thought about a little while and

00:16:35.399 --> 00:16:39.720
I noted that none of the stuff he was

00:16:38.039 --> 00:16:42.039
pointing to had anything to do with what

00:16:39.720 --> 00:16:42.040
he was

00:16:42.120 --> 00:16:47.399
saying nevertheless it was a effective

00:16:48.120 --> 00:16:52.879
technique so that's a just a little bit

00:16:50.278 --> 00:16:55.120
about the the virtue of of of black

00:16:52.879 --> 00:16:57.958
boards and now I want to talk about

00:16:55.120 --> 00:17:00.879
props you know the custodians of

00:16:57.958 --> 00:17:03.679
knowledge about props s are the

00:17:00.879 --> 00:17:06.720
playwrights many decades ago I saw a

00:17:03.679 --> 00:17:09.000
play by Hinrich Ipson it was head of

00:17:06.720 --> 00:17:12.919
gabbler I remember vaguely there was

00:17:09.000 --> 00:17:15.519
about a woman in an unhappy marriage and

00:17:12.919 --> 00:17:17.759
her husband was in competition for an

00:17:15.519 --> 00:17:19.918
academic job with somebody else and he

00:17:17.759 --> 00:17:22.798
was going to lose partly because he was

00:17:19.919 --> 00:17:25.880
boring and partly because the competitor

00:17:22.798 --> 00:17:27.400
had just written a magnificent book by

00:17:25.880 --> 00:17:29.280
the way this is back in the days before

00:17:27.400 --> 00:17:32.759
they were copying machines and comp

00:17:29.279 --> 00:17:37.879
computers any anyhow as the play

00:17:32.759 --> 00:17:37.879
opens there's a pot bellied

00:17:42.679 --> 00:17:48.759
stove and in the beginning of the

00:17:45.839 --> 00:17:51.959
play uh the putt belly stove with its

00:17:48.759 --> 00:17:53.359
open door just has some uh slightly

00:17:51.960 --> 00:17:56.919
glowing

00:17:53.359 --> 00:17:59.479
Embers but the P stove is always there

00:17:56.919 --> 00:18:02.200
and it tension mounts in the play

00:17:59.480 --> 00:18:05.240
uh and you see this manuscript this prop

00:18:02.200 --> 00:18:08.519
that Ipson so artfully used you just

00:18:05.240 --> 00:18:11.400
know that something's going to happen

00:18:08.519 --> 00:18:14.960
because as the play goes on the Fire

00:18:11.400 --> 00:18:16.640
gets bigger and hotter and finally all

00:18:14.960 --> 00:18:20.079
consuming and you just know that that

00:18:16.640 --> 00:18:22.960
manuscript is going to go into that

00:18:20.079 --> 00:18:25.079
fire it's memorable thing it's what I

00:18:22.960 --> 00:18:27.600
remember about

00:18:25.079 --> 00:18:29.319
play so the play rights have got this

00:18:27.599 --> 00:18:31.240
all figured out

00:18:29.319 --> 00:18:34.759
uh but on the other hand they're not the

00:18:31.240 --> 00:18:38.200
only people who can use props here's an

00:18:34.759 --> 00:18:41.240
example of the use of a prop also due to

00:18:38.200 --> 00:18:43.319
sear paper he was talking about how it's

00:18:41.240 --> 00:18:47.159
important to look at the problem in the

00:18:43.319 --> 00:18:49.599
right way and here's an example that uh

00:18:47.159 --> 00:18:50.960
not only teaches that but makes it

00:18:49.599 --> 00:18:53.319
possible for you to embarrass your

00:18:50.960 --> 00:18:55.840
friends in mechanical engineering so

00:18:53.319 --> 00:18:58.158
here's here's what you do take this

00:18:55.839 --> 00:18:59.399
bicycle wheel you start it spinning and

00:18:58.159 --> 00:19:03.120
then you put some

00:18:59.400 --> 00:19:06.240
torque on the axle or

00:19:03.119 --> 00:19:10.798
equivalently you blow on the edge and

00:19:06.240 --> 00:19:13.960
the issue is does it go that way or does

00:19:10.798 --> 00:19:16.639
it go that way now the mechanical

00:19:13.960 --> 00:19:18.640
engineers will immediately say oh yes I

00:19:16.640 --> 00:19:21.080
see right hand screw and they'll put

00:19:18.640 --> 00:19:23.600
their fingers in this position but

00:19:21.079 --> 00:19:26.798
forget exactly how to align their

00:19:23.599 --> 00:19:29.319
fingers with various aspects of the

00:19:26.798 --> 00:19:33.158
problem and so it's you usually the case

00:19:29.319 --> 00:19:37.079
that they get it right with about a 50%

00:19:33.159 --> 00:19:39.039
probability so they um very fancy

00:19:37.079 --> 00:19:42.158
education gets them up to the point

00:19:39.038 --> 00:19:45.640
where they're equivalent to flipping a

00:19:42.159 --> 00:19:47.200
coin but it doesn't have to be that way

00:19:45.640 --> 00:19:49.720
because you can think about the problem

00:19:47.200 --> 00:19:53.759
a little differently so here's what you

00:19:49.720 --> 00:19:56.279
do you take some duct tape and you uh

00:19:53.759 --> 00:19:58.720
put it around part of the wheel like

00:19:56.279 --> 00:20:01.519
that and now you start to think about

00:19:58.720 --> 00:20:04.038
not the whole wheel but just the little

00:20:01.519 --> 00:20:05.720
piece that's underneath the duct tape so

00:20:04.038 --> 00:20:07.839
here that piece comes rolling over the

00:20:05.720 --> 00:20:10.279
top and at this point you blow on it

00:20:07.839 --> 00:20:11.798
with a puff of air forgetting about the

00:20:10.279 --> 00:20:13.558
rest of the wheel what happens to that

00:20:11.798 --> 00:20:15.558
little piece that's under the duct tape

00:20:13.558 --> 00:20:18.200
it must want to go that way cuz you bang

00:20:15.558 --> 00:20:20.918
on it like that it's already going down

00:20:18.200 --> 00:20:23.400
like that and what about the next piece

00:20:20.919 --> 00:20:26.080
same thing next piece same thing so the

00:20:23.400 --> 00:20:28.440
only thing that can happen is the wheel

00:20:26.079 --> 00:20:30.678
goes over like that and so now you'll

00:20:28.440 --> 00:20:32.038
never Wonder again because you're

00:20:30.679 --> 00:20:34.000
thinking about the problem in the right

00:20:32.038 --> 00:20:37.640
way and it's

00:20:34.000 --> 00:20:37.640
demonstrated by the use of a

00:20:37.798 --> 00:20:41.918
problem you can try this after we're

00:20:43.480 --> 00:20:49.720
done another example I like to remember

00:20:47.798 --> 00:20:52.639
is one from when I was taking

00:20:49.720 --> 00:20:54.759
801 Alan Lazarus was the instructor at

00:20:52.640 --> 00:20:57.320
the time and he was talking about the

00:20:54.759 --> 00:20:59.440
conservation of energy kinetic and

00:20:57.319 --> 00:21:02.038
potential

00:20:59.440 --> 00:21:05.480
and there was a long wire in the ceiling

00:21:02.038 --> 00:21:09.558
in 26 100 attached to a much bigger

00:21:05.480 --> 00:21:12.558
steel Ball but one not un like this and

00:21:09.558 --> 00:21:15.440
Lazarus uh took the

00:21:12.558 --> 00:21:17.278
ball up against the wall like this he

00:21:15.440 --> 00:21:18.200
put his head flat against the wall to

00:21:17.278 --> 00:21:21.880
steady

00:21:18.200 --> 00:21:24.720
himself and then uh he let go and the

00:21:21.880 --> 00:21:28.960
Pendulum takes many seconds ago over and

00:21:24.720 --> 00:21:30.200
back and then uh gently uh kisses

00:21:28.960 --> 00:21:32.640
lazarus's

00:21:30.200 --> 00:21:35.480
nose and so you have many seconds to

00:21:32.640 --> 00:21:38.159
think this guy really believes in the

00:21:35.480 --> 00:21:38.159
conservation of

00:21:41.240 --> 00:21:49.240
energy um do not try this at

00:21:45.558 --> 00:21:51.720
home the problem is that uh first time

00:21:49.240 --> 00:21:57.240
you do this you may not just let go

00:21:51.720 --> 00:21:57.240
there's a natural human tendency to push

00:22:01.519 --> 00:22:06.278
so uh that's a little bit on a subject

00:22:04.038 --> 00:22:06.278
of

00:22:23.038 --> 00:22:28.640
props you know it's interesting whenever

00:22:25.640 --> 00:22:30.799
surveys are taken students always say

00:22:28.640 --> 00:22:34.159
more chalk less

00:22:30.798 --> 00:22:36.200
PowerPoint and uh why would that be uh

00:22:34.159 --> 00:22:39.600
props are always also very

00:22:36.200 --> 00:22:44.319
effective why would that be uh I'll give

00:22:39.599 --> 00:22:46.798
you my Lunatic Fringe view on this it um

00:22:44.319 --> 00:22:51.278
has to do with

00:22:46.798 --> 00:22:51.278
uh what I would call

00:23:00.159 --> 00:23:03.200
empathetic

00:23:01.240 --> 00:23:05.278
mirroring when you're sitting up there

00:23:03.200 --> 00:23:07.840
watching me right on the board all those

00:23:05.278 --> 00:23:10.919
little mirror neurons in your head I

00:23:07.839 --> 00:23:13.158
believe become actuated and you can feel

00:23:10.919 --> 00:23:16.960
yourself writing on the Blackboard and

00:23:13.159 --> 00:23:19.159
even more so uh when I uh talk about

00:23:16.960 --> 00:23:21.159
this steel ball going that way and this

00:23:19.159 --> 00:23:24.520
way you can you can you can feel the

00:23:21.159 --> 00:23:27.080
ball as if you were me and you can't do

00:23:24.519 --> 00:23:30.319
that with a slide you can't do it with a

00:23:27.079 --> 00:23:33.038
picture you need to see see it uh in in

00:23:30.319 --> 00:23:35.879
the physical world that's why I think

00:23:33.038 --> 00:23:37.720
that oh yes of course it's it's there

00:23:35.880 --> 00:23:40.200
there speed questions involved too that

00:23:37.720 --> 00:23:42.880
have to be separated out but I think the

00:23:40.200 --> 00:23:46.919
empathetic mirroring is why props and

00:23:42.880 --> 00:23:48.559
the use of a Blackboard are so

00:23:46.919 --> 00:23:50.679
effective

00:23:48.558 --> 00:23:54.119
well let's

00:23:50.679 --> 00:23:57.400
see oh yes there is one more thing by

00:23:54.119 --> 00:24:01.079
way of uh the tools and that has to do

00:23:57.400 --> 00:24:01.080
with the uh use of

00:24:01.200 --> 00:24:06.200
slides I repeat I think they're for

00:24:04.240 --> 00:24:09.278
exposing ideas not for teaching ideas

00:24:06.200 --> 00:24:12.360
but that's what we do in a job talk or

00:24:09.278 --> 00:24:15.079
conference talk we expose ideas we don't

00:24:12.359 --> 00:24:19.278
teach them so let me tell you a little

00:24:15.079 --> 00:24:23.199
bit about my views on that

00:24:19.278 --> 00:24:26.960
um I remember once I was

00:24:23.200 --> 00:24:29.720
um in um Terminal

00:24:26.960 --> 00:24:33.240
A had Logan airport I just come back

00:24:29.720 --> 00:24:35.600
from a really miserable conference and

00:24:33.240 --> 00:24:36.599
the flight was really horrible it was

00:24:35.599 --> 00:24:39.359
one of those that feels like an

00:24:36.599 --> 00:24:42.119
unbalanced washing machine and for the

00:24:39.359 --> 00:24:46.079
only time in my life I decided to uh

00:24:42.119 --> 00:24:48.879
stop on my way to my car and have a cup

00:24:46.079 --> 00:24:50.558
of coffee and relax a little bit and I

00:24:48.880 --> 00:24:52.120
as I was there for a few minutes uh

00:24:50.558 --> 00:24:53.639
someone came up to me and said uh are

00:24:52.119 --> 00:24:56.798
you Professor

00:24:53.640 --> 00:24:59.038
Winston I think so I

00:24:56.798 --> 00:25:01.720
said I don't know I guess I was trying

00:24:59.038 --> 00:25:04.240
to be funny in any event uh he said I'm

00:25:01.720 --> 00:25:06.360
on my way to Europe to give a job talk

00:25:04.240 --> 00:25:08.960
would you mind critiquing my

00:25:06.359 --> 00:25:11.678
slides not at all I said you have too

00:25:08.960 --> 00:25:14.840
many and they have too many

00:25:11.679 --> 00:25:18.200
words how did you know he said thinking

00:25:14.839 --> 00:25:21.119
perhaps I'd seen a talk of his before I

00:25:18.200 --> 00:25:23.480
hadn't uh my reply was because it's

00:25:21.119 --> 00:25:26.558
always true there are always too many

00:25:23.480 --> 00:25:29.319
slides always too many words so let me

00:25:26.558 --> 00:25:31.879
show you some extreme examples of how

00:25:29.319 --> 00:25:31.879
not to use

00:25:33.159 --> 00:25:40.320
slides well for this demonstration I

00:25:36.798 --> 00:25:40.319
need to be uh way over

00:25:40.599 --> 00:25:47.398
here um and uh when I get over here then

00:25:43.839 --> 00:25:49.480
I can start to say things like

00:25:47.398 --> 00:25:50.359
U one of the things you shouldn't do is

00:25:49.480 --> 00:25:52.278
read your

00:25:50.359 --> 00:25:53.839
transparencies people in your audience

00:25:52.278 --> 00:25:56.679
know how to read and reading will just

00:25:53.839 --> 00:25:58.519
annoy them also you should be sure that

00:25:56.679 --> 00:26:01.080
you have only a few words on each

00:25:58.519 --> 00:26:03.720
transparency and that the words are easy

00:26:01.079 --> 00:26:06.439
to read and I hope it driving you

00:26:03.720 --> 00:26:08.759
crazy because I'm committing uh all

00:26:06.440 --> 00:26:11.519
kinds of crimes the first of which is

00:26:08.759 --> 00:26:13.960
that there are too many words on this

00:26:11.519 --> 00:26:16.599
slide second of which is I'm way over

00:26:13.960 --> 00:26:19.558
there and it slides away over there so

00:26:16.599 --> 00:26:22.319
you get into this uh tennis match

00:26:19.558 --> 00:26:24.599
feeling of uh shifting back and forth

00:26:22.319 --> 00:26:26.639
between the slide and the speaker you

00:26:24.599 --> 00:26:29.079
want the slides to be uh condiments to

00:26:26.640 --> 00:26:31.880
what you're saying not the main event or

00:26:29.079 --> 00:26:35.918
the opposite way around so how can we

00:26:31.880 --> 00:26:39.320
fix this step number one is to get rid

00:26:35.919 --> 00:26:41.600
of the background junk that's always

00:26:39.319 --> 00:26:42.480
distraction uh step number two is to get

00:26:41.599 --> 00:26:45.278
rid of the

00:26:42.480 --> 00:26:47.960
words when I reduceed the the words to

00:26:45.278 --> 00:26:51.038
these then everything I

00:26:47.960 --> 00:26:53.278
read a previous time I'm not licensed to

00:26:51.038 --> 00:26:55.359
say because it's not on the slide I'm

00:26:53.278 --> 00:26:58.480
not reading my slides anymore but I'm

00:26:55.359 --> 00:27:00.798
saying what was written on the slides in

00:26:58.480 --> 00:27:03.000
a previous

00:27:00.798 --> 00:27:04.720
example so what else can we do to

00:27:03.000 --> 00:27:07.798
simplify

00:27:04.720 --> 00:27:09.759
this well we can get rid of the logos we

00:27:07.798 --> 00:27:11.918
don't need

00:27:09.759 --> 00:27:14.319
them

00:27:11.919 --> 00:27:16.399
simplification what else can we

00:27:14.319 --> 00:27:18.639
do get rid of the

00:27:16.398 --> 00:27:21.319
title now I want to talk to you about

00:27:18.640 --> 00:27:23.440
some rules for slide preparation I'm

00:27:21.319 --> 00:27:26.038
telling you the title doesn't have to be

00:27:23.440 --> 00:27:28.600
up there by reducing the number of words

00:27:26.038 --> 00:27:30.119
on the slide I'm allowing you pay more

00:27:28.599 --> 00:27:31.278
attention to me unless to what's written

00:27:30.119 --> 00:27:33.678
on the

00:27:31.278 --> 00:27:36.278
slide I mentioned it before we have only

00:27:33.679 --> 00:27:39.080
one language processor and we can either

00:27:36.278 --> 00:27:42.159
use it to read stuff or to listen to the

00:27:39.079 --> 00:27:44.119
speaker and so if we have too many words

00:27:42.159 --> 00:27:47.919
on the slide forces people in the

00:27:44.119 --> 00:27:47.918
audience to read this stuff and not

00:27:48.159 --> 00:27:53.080
listen student of mine did an experiment

00:27:50.359 --> 00:27:55.000
a few years ago uh he taught some

00:27:53.079 --> 00:27:59.079
students some

00:27:55.000 --> 00:28:02.159
um web based programming

00:27:59.079 --> 00:28:04.879
ideas half the information was on slides

00:28:02.159 --> 00:28:07.840
he said the other half and then for a

00:28:04.880 --> 00:28:11.039
control group he reversed it and the

00:28:07.839 --> 00:28:13.119
question was what did the subjects that

00:28:11.038 --> 00:28:15.000
is to say freshman in his fraternity

00:28:13.119 --> 00:28:16.918
what did the subjects remember

00:28:15.000 --> 00:28:20.119
best what he

00:28:16.919 --> 00:28:22.278
said or what they read on the

00:28:20.119 --> 00:28:25.639
slide and the answer

00:28:22.278 --> 00:28:27.759
is what they read on the

00:28:25.640 --> 00:28:29.120
slide when their slides have a lot of

00:28:27.759 --> 00:28:31.240
material on it they don't pay attention

00:28:29.119 --> 00:28:34.639
to the speaker in fact in the after

00:28:31.240 --> 00:28:38.359
Action Report one of the subjects said I

00:28:34.640 --> 00:28:38.360
wish you hadn't talked so much it was

00:28:39.798 --> 00:28:42.918
distracting well that last item is

00:28:41.720 --> 00:28:46.399
eliminate

00:28:42.919 --> 00:28:48.559
clutter I hear some clutter no no no

00:28:46.398 --> 00:28:51.000
reason even for those

00:28:48.558 --> 00:28:54.480
bullets so the too many words problem is

00:28:51.000 --> 00:28:56.798
a consequence of h a crime Microsoft has

00:28:54.480 --> 00:28:59.278
committed by allowing you to use funds

00:28:56.798 --> 00:29:02.319
that are too small

00:28:59.278 --> 00:29:05.319
so you should all have a sample slide

00:29:02.319 --> 00:29:07.439
like this that you can use to determine

00:29:05.319 --> 00:29:10.000
what the minimum Fun Size is that's

00:29:07.440 --> 00:29:13.919
that's easily leisurable shiv what do

00:29:10.000 --> 00:29:17.759
you think of

00:29:13.919 --> 00:29:21.840
those which size is right what's that

00:29:17.759 --> 00:29:25.319
size is right yeah minimum maybe 40 or

00:29:21.839 --> 00:29:29.199
50 yeah he says 40 or 50 I think it's

00:29:25.319 --> 00:29:30.720
about right 35 is get too small not

00:29:29.200 --> 00:29:32.960
necessarily because you can't read it

00:29:30.720 --> 00:29:36.278
but because it because you're probably

00:29:32.960 --> 00:29:38.840
using it to get too many words on the

00:29:36.278 --> 00:29:43.119
slide what other crimes do we

00:29:38.839 --> 00:29:45.678
have well we have the laser pointer

00:29:43.119 --> 00:29:47.959
crime not for that I you know in the old

00:29:45.679 --> 00:29:51.159
days when we didn't have laser pointers

00:29:47.960 --> 00:29:54.600
we used wooden ones and people would go

00:29:51.159 --> 00:29:54.600
waving these things around

00:29:54.839 --> 00:30:00.720
and pretty soon it became almost like a

00:29:58.159 --> 00:30:02.120
the CH swirling contest so here's what

00:30:00.720 --> 00:30:05.679
here's what I recommended in the old

00:30:02.119 --> 00:30:05.678
days for dealing with this kind of

00:30:07.919 --> 00:30:12.200
pointer this example of used of a

00:30:13.000 --> 00:30:18.558
prop Jim glass up there saw this talk

00:30:15.880 --> 00:30:19.679
about 20 years ago and uh so oh yeah I

00:30:18.558 --> 00:30:22.119
remembered that talk that's the one

00:30:19.679 --> 00:30:24.919
where you broke the

00:30:22.119 --> 00:30:26.398
pointer it's amazing how props uh tend

00:30:24.919 --> 00:30:29.880
to be the things that are

00:30:26.398 --> 00:30:32.079
remembered well now oh we don't have uh

00:30:29.880 --> 00:30:35.720
we don't have physical pointers anymore

00:30:32.079 --> 00:30:37.519
we've got uh we got laser pointers

00:30:35.720 --> 00:30:39.480
that's a Wonder more people aren't

00:30:37.519 --> 00:30:43.038
driven into epileptic fits over this

00:30:39.480 --> 00:30:46.120
sort of stuff but here's what tends to

00:30:43.038 --> 00:30:48.798
happen look at that it's a lovely

00:30:46.119 --> 00:30:51.079
recursive picture and I can become part

00:30:48.798 --> 00:30:54.319
of it by putting that laser beam right

00:30:51.079 --> 00:30:54.319
on the back of my head up

00:30:55.398 --> 00:31:00.000
there and what do you see

00:30:58.440 --> 00:31:02.840
you see the back of my

00:31:00.000 --> 00:31:05.720
head I'm have no eye contact no

00:31:02.839 --> 00:31:08.519
engagement nothing I was sitting with a

00:31:05.720 --> 00:31:11.679
student watching a talk one day and she

00:31:08.519 --> 00:31:14.359
said you know what we could all leave

00:31:11.679 --> 00:31:14.360
and he wouldn't

00:31:15.079 --> 00:31:18.798
know so what happens when you use a

00:31:17.159 --> 00:31:21.120
laser pointer you can't use a laser

00:31:18.798 --> 00:31:23.879
pointer without turning your head and

00:31:21.119 --> 00:31:26.439
pointing it at something and when you do

00:31:23.880 --> 00:31:29.559
that you lose uh you lose contact with

00:31:26.440 --> 00:31:31.880
the audience you don't want to do it so

00:31:29.558 --> 00:31:33.720
what do you do if you need to need to

00:31:31.880 --> 00:31:35.240
identify something in your image and you

00:31:33.720 --> 00:31:37.798
don't want to point at it with a laser

00:31:35.240 --> 00:31:39.159
this is what you do put a little arrow

00:31:37.798 --> 00:31:40.960
on there and say now look at that guy

00:31:39.159 --> 00:31:43.240
number one at the end of Arrow number

00:31:40.960 --> 00:31:45.600
one you don't need to have laser pointer

00:31:43.240 --> 00:31:45.599
to do

00:31:48.159 --> 00:31:53.880
that the to heavy

00:31:50.558 --> 00:31:56.638
crime when people ask me to review a

00:31:53.880 --> 00:31:59.840
presentation I ask them to print it out

00:31:56.638 --> 00:31:59.839
and lay it out on a table

00:32:01.000 --> 00:32:06.240
when they do that it's easy to see

00:32:02.638 --> 00:32:09.398
whether the talk is too heavy too much

00:32:06.240 --> 00:32:11.720
text not enough air not enough white

00:32:09.398 --> 00:32:15.199
space not enough

00:32:11.720 --> 00:32:17.839
imagery this is a good example of uh

00:32:15.200 --> 00:32:20.759
such a talk way too

00:32:17.839 --> 00:32:23.398
heavy uh the uh presenter has taken

00:32:20.759 --> 00:32:26.440
advantage of uh small font sizes to get

00:32:23.398 --> 00:32:26.439
as much on the slide as he

00:32:26.480 --> 00:32:31.440
wanted lots of crimes here but uh the

00:32:29.798 --> 00:32:34.000
too heaviness the fact that it's too

00:32:31.440 --> 00:32:37.200
heavy is what I wanted to illustrate so

00:32:34.000 --> 00:32:38.839
here by contrast another talk one I gave

00:32:37.200 --> 00:32:42.440
a few years ago it's not it wasn't a

00:32:38.839 --> 00:32:43.199
deeply technical talk but I show it to

00:32:42.440 --> 00:32:45.720
you

00:32:43.200 --> 00:32:49.240
because there's air in

00:32:45.720 --> 00:32:51.480
it it's mostly pictures of things there

00:32:49.240 --> 00:32:54.200
are three or four slides that have text

00:32:51.480 --> 00:32:56.639
on them but when I come to those I give

00:32:54.200 --> 00:32:57.880
the audience time to read them and

00:32:56.638 --> 00:33:00.759
they're there because they might have

00:32:57.880 --> 00:33:02.399
have some historical significance the

00:33:00.759 --> 00:33:05.079
first slide with a lot of text on it is

00:33:02.398 --> 00:33:07.479
a extraction from the

00:33:05.079 --> 00:33:10.798
1957 from the for the from the proposal

00:33:07.480 --> 00:33:13.240
for the 1957 AI conference at Dartmouth

00:33:10.798 --> 00:33:15.480
extraordinarily interesting event and

00:33:13.240 --> 00:33:17.720
that

00:33:15.480 --> 00:33:19.880
historical extraction from The Proposal

00:33:17.720 --> 00:33:23.240
helps drive that point

00:33:19.880 --> 00:33:25.919
home what else have we got here oh yeah

00:33:23.240 --> 00:33:28.679
your vocabulary word for the day this is

00:33:25.919 --> 00:33:30.759
an NAX Lon

00:33:28.679 --> 00:33:33.080
what that means is this is the kind of

00:33:30.759 --> 00:33:35.480
slide you can get away with exactly once

00:33:33.079 --> 00:33:37.638
in your

00:33:35.480 --> 00:33:39.759
presentation this is a slide that got

00:33:37.638 --> 00:33:41.199
some currency some years ago because it

00:33:39.759 --> 00:33:44.480
shows the

00:33:41.200 --> 00:33:47.519
complexity of um governing in

00:33:44.480 --> 00:33:50.839
Afghanistan by showing how impossibly

00:33:47.519 --> 00:33:52.679
complex it is it's something we you in

00:33:50.839 --> 00:33:55.359
the audience can't understand and and

00:33:52.679 --> 00:33:57.519
that's the point but you can't have many

00:33:55.359 --> 00:33:59.719
of these you can have one per work one

00:33:57.519 --> 00:34:03.038
per presentation one per paper one per

00:33:59.720 --> 00:34:05.759
book that's what it that's what epex Lan

00:34:03.038 --> 00:34:08.039
is and this is an example of

00:34:05.759 --> 00:34:10.679
it well I've shown you some crimes and

00:34:08.039 --> 00:34:11.639
so you might be asking do these crimes

00:34:10.679 --> 00:34:14.878
actually

00:34:11.639 --> 00:34:18.039
occur so

00:34:14.878 --> 00:34:18.039
um they

00:34:20.760 --> 00:34:25.040
do there's the hands in the pockets

00:34:25.440 --> 00:34:31.200
crime there's a um crime and time and

00:34:29.519 --> 00:34:34.800
place selection

00:34:31.199 --> 00:34:36.799
here this is how you get to the BTO

00:34:34.800 --> 00:34:39.200
theater first thing you do is you get

00:34:36.800 --> 00:34:43.039
down these steps over at the media

00:34:39.199 --> 00:34:46.598
lab then you cross this large open

00:34:43.039 --> 00:34:48.639
space then you turn right down this

00:34:46.599 --> 00:34:50.480
Corridor this point whenever I go in

00:34:48.639 --> 00:34:52.878
there I wonder if if there are torture

00:34:50.480 --> 00:34:55.280
implements around the corner and then

00:34:52.878 --> 00:34:58.480
when you get in there you get into this

00:34:55.280 --> 00:35:00.599
dark gloomy place so it's well- named

00:34:58.480 --> 00:35:01.880
what when they call it the baros theater

00:35:00.599 --> 00:35:03.240
because it's a place where you can watch

00:35:01.880 --> 00:35:05.680
a movie but it's not a place where you

00:35:03.239 --> 00:35:05.679
can give a

00:35:06.358 --> 00:35:12.358
talk now on a subject that doesn't

00:35:09.519 --> 00:35:13.838
happen here's a talk I attended a while

00:35:12.358 --> 00:35:17.319
back in

00:35:13.838 --> 00:35:19.960
stada notice that the speaker is H far

00:35:17.320 --> 00:35:21.680
away from the slides speaker is using a

00:35:19.960 --> 00:35:24.199
laser

00:35:21.679 --> 00:35:26.519
pointer and you say to me

00:35:24.199 --> 00:35:30.159
well what's happening here it's by the

00:35:26.519 --> 00:35:32.320
way the 80th 80th slide in the

00:35:30.159 --> 00:35:36.838
presentation notice that it stent with

00:35:32.320 --> 00:35:36.838
words this is the first of 10 conclusion

00:35:36.960 --> 00:35:43.639
slides so uh what's the audience

00:35:40.719 --> 00:35:46.319
reaction that's the sponsor of the

00:35:43.639 --> 00:35:49.039
meeting he's reading his

00:35:46.320 --> 00:35:52.289
email this is the co-sponsor of the

00:35:49.039 --> 00:35:53.519
meeting he's examining the lunch

00:35:52.289 --> 00:35:58.159
[Music]

00:35:53.519 --> 00:35:58.159
menu what about this person

00:35:58.800 --> 00:36:03.960
this person looks like he's paying

00:36:01.199 --> 00:36:06.239
attention but this because it's a still

00:36:03.960 --> 00:36:09.920
picture if you were to see a video what

00:36:06.239 --> 00:36:09.919
you would see is something like

00:36:13.318 --> 00:36:21.000
this so yeah it it it does

00:36:17.358 --> 00:36:25.559
happen well now uh that's a a quick

00:36:21.000 --> 00:36:29.559
review of of tools now I want to talk

00:36:25.559 --> 00:36:29.559
about some special cases

00:36:30.480 --> 00:36:35.240
we could talk a little bit about uh

00:36:32.039 --> 00:36:36.960
informing or to say it another way doing

00:36:35.239 --> 00:36:39.318
what I'm doing

00:36:36.960 --> 00:36:41.639
now but I'll just say a few words about

00:36:39.318 --> 00:36:42.920
that uh in that kind of in that kind of

00:36:41.639 --> 00:36:46.199
presentation you want to start with a

00:36:42.920 --> 00:36:47.559
promise like I did for this for this uh

00:36:46.199 --> 00:36:49.679
for this hour that we're going through

00:36:47.559 --> 00:36:51.920
now but then it comes to the question of

00:36:49.679 --> 00:36:54.118
how do you inspire

00:36:51.920 --> 00:36:57.680
people I've given this talk for a long

00:36:54.119 --> 00:36:58.720
time and a few years ago um uh our

00:36:57.679 --> 00:37:01.559
department chairman said would you

00:36:58.719 --> 00:37:04.399
please give this talk to uh a new

00:37:01.559 --> 00:37:07.480
faculty and be sure to emphasize what it

00:37:04.400 --> 00:37:08.800
takes to inspire students and strangely

00:37:07.480 --> 00:37:11.639
I hadn't thought about that question

00:37:08.800 --> 00:37:14.519
before so I started a survey I talked to

00:37:11.639 --> 00:37:16.879
some of my incoming freshman advises and

00:37:14.519 --> 00:37:19.239
I talked to senior faculty and

00:37:16.880 --> 00:37:20.480
everything in between about how they've

00:37:19.239 --> 00:37:22.519
been

00:37:20.480 --> 00:37:24.519
inspired what I found from the uh

00:37:22.519 --> 00:37:26.318
incoming freshman is that they were

00:37:24.519 --> 00:37:28.880
inspired by some high school teacher who

00:37:26.318 --> 00:37:31.119
told them they could do it

00:37:28.880 --> 00:37:34.559
what I found in the senior

00:37:31.119 --> 00:37:36.480
faculty they um were inspired by someone

00:37:34.559 --> 00:37:39.759
who helped them to see a problem in a

00:37:36.480 --> 00:37:42.800
new way and what I saw from

00:37:39.760 --> 00:37:46.960
everyone is that they were

00:37:42.800 --> 00:37:48.599
inspired when someone exhibited passion

00:37:46.960 --> 00:37:50.760
about what they were

00:37:48.599 --> 00:37:51.680
doing exhibited passion about what they

00:37:50.760 --> 00:37:55.640
were

00:37:51.679 --> 00:37:57.639
doing yeah so that's uh that's one one

00:37:55.639 --> 00:38:00.598
way to be inspiring

00:37:57.639 --> 00:38:02.000
it's easy for me because you know I do

00:38:00.599 --> 00:38:05.240
artificial

00:38:02.000 --> 00:38:06.639
intelligence um and uh how how can you

00:38:05.239 --> 00:38:08.799
not be interested in artificial

00:38:06.639 --> 00:38:10.759
intelligence right I mean if you're not

00:38:08.800 --> 00:38:12.079
interested in artificial intelligence

00:38:10.760 --> 00:38:14.599
you're probably not interested in

00:38:12.079 --> 00:38:14.599
interesting

00:38:14.639 --> 00:38:21.239
things so uh when I'm lecturing uh in my

00:38:18.639 --> 00:38:24.159
AI class it's natural for me to talk

00:38:21.239 --> 00:38:27.838
about what I think is cool and how

00:38:24.159 --> 00:38:29.399
exciting some new idea is uh so that's

00:38:27.838 --> 00:38:31.799
the kind of that's the kind of

00:38:29.400 --> 00:38:34.639
expression of passion that makes a

00:38:31.800 --> 00:38:38.480
difference uh while informing with

00:38:34.639 --> 00:38:38.480
respect to this question of of of

00:38:38.920 --> 00:38:45.519
inspiring oh yeah and of course during

00:38:41.559 --> 00:38:47.519
this promise phase you can also Express

00:38:45.519 --> 00:38:49.920
how cool stuff is let me give you an

00:38:47.519 --> 00:38:52.039
example of a lecture that starts this

00:38:49.920 --> 00:38:54.039
way I'm talking about resource

00:38:52.039 --> 00:38:55.880
allocation it's the same sort of stuff

00:38:54.039 --> 00:38:57.239
you would think of when you're s it's

00:38:55.880 --> 00:38:58.760
the same sort of ideas you would need if

00:38:57.239 --> 00:39:00.679
you're

00:38:58.760 --> 00:39:02.800
allocating a aircraft to a flight

00:39:00.679 --> 00:39:04.598
schedule or trying to schedule a factory

00:39:02.800 --> 00:39:07.480
or something like that but the example

00:39:04.599 --> 00:39:09.559
is putting colors on the states in the

00:39:07.480 --> 00:39:13.679
United States without any bordering

00:39:09.559 --> 00:39:13.679
states having the same color so here it

00:39:14.358 --> 00:39:19.480
goes this is what I show in the

00:39:16.838 --> 00:39:22.119
beginning of the class this is a way of

00:39:19.480 --> 00:39:24.358
doing that coloring and you might say

00:39:22.119 --> 00:39:29.358
well why don't we wait till it

00:39:24.358 --> 00:39:29.358
finishes would you like to do that no

00:39:29.679 --> 00:39:32.358
well we're not going to wait till it

00:39:30.679 --> 00:39:34.279
finishes because the sun will have

00:39:32.358 --> 00:39:36.000
exploded and consumed the Earth before

00:39:34.280 --> 00:39:39.319
this program

00:39:36.000 --> 00:39:41.838
finishes but with a slight adjustment to

00:39:39.318 --> 00:39:43.679
how the program works which I tell my

00:39:41.838 --> 00:39:47.400
students you will understand in the next

00:39:43.679 --> 00:39:47.399
50 minutes this is what you

00:39:48.760 --> 00:39:54.599
get Isn't that cool you know you got you

00:39:52.318 --> 00:39:56.960
got to be you got to be amazed by stuff

00:39:54.599 --> 00:39:58.680
that takes a computation from longer

00:39:56.960 --> 00:40:03.000
than the lifetime of the solar system

00:39:58.679 --> 00:40:05.879
into a few seconds so that's what I mean

00:40:03.000 --> 00:40:07.280
by providing a promise up front and

00:40:05.880 --> 00:40:09.318
expressing some passion about what

00:40:07.280 --> 00:40:11.720
you're talking

00:40:09.318 --> 00:40:14.559
about well the last item in this little

00:40:11.719 --> 00:40:16.559
block here is uh uh it has to do with

00:40:14.559 --> 00:40:18.799
what people think that they do at MIT

00:40:16.559 --> 00:40:20.960
you ask a faculty what the most

00:40:18.800 --> 00:40:23.519
important purpose is and they'll say

00:40:20.960 --> 00:40:25.000
well uh the most important thing I do is

00:40:23.519 --> 00:40:28.358
teach people how to

00:40:25.000 --> 00:40:30.838
think and then uh you say oh that's

00:40:28.358 --> 00:40:34.078
great how do you teach people how to

00:40:30.838 --> 00:40:37.759
think Blank

00:40:34.079 --> 00:40:40.960
Stare no one can quite respond to that

00:40:37.760 --> 00:40:44.119
part that natural next question so how

00:40:40.960 --> 00:40:47.838
do you teach people how to think

00:40:44.119 --> 00:40:51.079
well I believe that we are storytelling

00:40:47.838 --> 00:40:53.119
animals and that uh we start to

00:40:51.079 --> 00:40:55.440
developing our story understanding and

00:40:53.119 --> 00:40:58.000
manipulating skills with fairy tales in

00:40:55.440 --> 00:41:01.039
childhood and continue on through

00:40:58.000 --> 00:41:04.039
professional schools like law business

00:41:01.039 --> 00:41:06.920
medicine engineer everything and we

00:41:04.039 --> 00:41:09.639
continue doing that throughout life so

00:41:06.920 --> 00:41:11.240
if uh that is what thinking is all about

00:41:09.639 --> 00:41:12.559
then when you want to teach people how

00:41:11.239 --> 00:41:14.919
to think you provide them with the

00:41:12.559 --> 00:41:17.039
stories they need to know the questions

00:41:14.920 --> 00:41:19.280
they need to ask about those stories

00:41:17.039 --> 00:41:21.279
mechanisms for analyzing those stories

00:41:19.280 --> 00:41:22.480
ways of putting stories together ways of

00:41:21.280 --> 00:41:25.000
evaluating

00:41:22.480 --> 00:41:27.519
how reliable the story is and that's

00:41:25.000 --> 00:41:29.079
what I think you need to do when you

00:41:27.519 --> 00:41:32.318
teach people how to

00:41:29.079 --> 00:41:36.280
think but that's all about education and

00:41:32.318 --> 00:41:40.159
uh many of you here not necessarily for

00:41:36.280 --> 00:41:42.079
that but rather for uh for this part for

00:41:40.159 --> 00:41:45.480
persuading which breaks down into

00:41:42.079 --> 00:41:48.599
several categories oral exams not shown

00:41:45.480 --> 00:41:51.480
job talks getting famous I won't say

00:41:48.599 --> 00:41:53.200
much about oral exams other than the

00:41:51.480 --> 00:41:56.039
fact that they used to be a lot scarier

00:41:53.199 --> 00:41:58.239
than they are today in the old

00:41:56.039 --> 00:41:59.719
days um

00:41:58.239 --> 00:42:01.598
reading the literature in a foreign

00:41:59.719 --> 00:42:04.838
language was a part of that and there

00:42:01.599 --> 00:42:07.079
was a a high failure rate and when you

00:42:04.838 --> 00:42:10.519
look at when you look back on those uh

00:42:07.079 --> 00:42:12.519
on those failures the most uh usual

00:42:10.519 --> 00:42:16.440
reason for people failing an oral exam

00:42:12.519 --> 00:42:19.719
is failure to situate and a failure to

00:42:16.440 --> 00:42:20.960
practice by situate I mean it's

00:42:19.719 --> 00:42:23.399
important to talk about your research

00:42:20.960 --> 00:42:25.599
and context uh this is a problem that's

00:42:23.400 --> 00:42:27.720
being pursued all over the world there

00:42:25.599 --> 00:42:28.880
hasn't been any progress before me in

00:42:27.719 --> 00:42:31.679
past 30

00:42:28.880 --> 00:42:33.599
years um everyone is looking for a

00:42:31.679 --> 00:42:36.118
solution because it will have impact on

00:42:33.599 --> 00:42:39.200
so many other things so that's situating

00:42:36.119 --> 00:42:40.720
in time and place and field and then as

00:42:39.199 --> 00:42:43.679
far as practice is

00:42:40.719 --> 00:42:47.118
concerned yes practice is important but

00:42:43.679 --> 00:42:50.279
that doesn't mean uh showing your slides

00:42:47.119 --> 00:42:53.039
to the people who share an office with

00:42:50.280 --> 00:42:54.480
the problem with that is that um if

00:42:53.039 --> 00:42:56.000
people know what you're doing they will

00:42:54.480 --> 00:42:57.920
hallucinate that there's material in

00:42:56.000 --> 00:42:58.960
your presentation that isn't there it it

00:42:57.920 --> 00:43:01.119
isn't

00:42:58.960 --> 00:43:05.559
there a variation on the scene by the

00:43:01.119 --> 00:43:07.160
way is your faculty supervisor is not a

00:43:05.559 --> 00:43:09.359
very good person to help you debug a

00:43:07.159 --> 00:43:11.000
talk because they in fact know what

00:43:09.358 --> 00:43:12.838
you're doing and they will in fact

00:43:11.000 --> 00:43:15.358
hallucinate there's material in your

00:43:12.838 --> 00:43:16.799
presentation that isn't there so you

00:43:15.358 --> 00:43:19.119
need to get together some friends who

00:43:16.800 --> 00:43:22.359
don't know what you're doing and have

00:43:19.119 --> 00:43:26.000
them well you start the practice session

00:43:22.358 --> 00:43:27.920
by saying if you can't make me cry I

00:43:26.000 --> 00:43:30.199
won't value you as a friend friend

00:43:27.920 --> 00:43:34.159
anymore and then when you get to the

00:43:30.199 --> 00:43:36.159
faculty uh on a uh oral exam it will be

00:43:34.159 --> 00:43:39.078
easy you see

00:43:36.159 --> 00:43:41.879
um difficulty the amount of flack you

00:43:39.079 --> 00:43:45.000
get from somebody is proportional to age

00:43:41.880 --> 00:43:46.280
the older somebody is the more uh the

00:43:45.000 --> 00:43:48.318
more they understand where they are in

00:43:46.280 --> 00:43:49.880
the world but but the young people are

00:43:48.318 --> 00:43:52.679
trying to show the old people how smart

00:43:49.880 --> 00:43:53.838
they are so so sobly vicious so whenever

00:43:52.679 --> 00:43:55.759
you have an opportunity to have an

00:43:53.838 --> 00:43:58.519
examining committee that's full of

00:43:55.760 --> 00:44:00.720
people with gray hair that's what you

00:43:58.519 --> 00:44:02.480
want well that's just a word or two

00:44:00.719 --> 00:44:05.519
about something I haven't listed here

00:44:02.480 --> 00:44:06.880
let's get into the subject of job talks

00:44:05.519 --> 00:44:12.000
so I was

00:44:06.880 --> 00:44:15.640
um sitting in a bar uh many years ago uh

00:44:12.000 --> 00:44:18.358
in uh San Diego I was a member of the

00:44:15.639 --> 00:44:20.239
Navy science board and I was saying with

00:44:18.358 --> 00:44:22.759
a couple of uh my colleagues on the

00:44:20.239 --> 00:44:25.519
board uh Dolores Eder from the

00:44:22.760 --> 00:44:27.440
University of Colorado uh she made me so

00:44:25.519 --> 00:44:29.559
jealous I could spit because she written

00:44:27.440 --> 00:44:33.440
21 books and I'd only written

00:44:29.559 --> 00:44:37.079
177 and then the other one was

00:44:33.440 --> 00:44:40.679
uh bill welon from the University of

00:44:37.079 --> 00:44:43.359
Texas he was a electrom magnetism guy

00:44:40.679 --> 00:44:45.558
and he know knew how to use rail guns to

00:44:43.358 --> 00:44:48.000
to drive steel rods through tank armor

00:44:45.559 --> 00:44:51.240
these are interesting people so I said

00:44:48.000 --> 00:44:52.960
um what do you look for uh in a uh

00:44:51.239 --> 00:44:57.558
faculty

00:44:52.960 --> 00:45:00.079
candidate and uh within a one microc

00:44:57.559 --> 00:45:01.720
Dolores said they have to show us

00:45:00.079 --> 00:45:05.839
they've got some kind of

00:45:01.719 --> 00:45:09.199
vision quickly followed by Bill who said

00:45:05.838 --> 00:45:09.199
they have to show us that they've done

00:45:14.159 --> 00:45:20.759
something oh that sounds good I said and

00:45:18.599 --> 00:45:23.559
then I said to them how long does the

00:45:20.760 --> 00:45:27.160
candidate have to establish these two

00:45:23.559 --> 00:45:30.079
things what do you think

00:45:27.159 --> 00:45:30.078
compare your answer to

00:45:32.960 --> 00:45:38.119
theirs 5

00:45:35.719 --> 00:45:40.759
minutes so if you haven't expressed your

00:45:38.119 --> 00:45:43.079
vision if you haven't told people that

00:45:40.760 --> 00:45:46.240
you've done something in five minutes

00:45:43.079 --> 00:45:47.839
you're you you've already lost so you

00:45:46.239 --> 00:45:49.279
you have to be able to do that and let

00:45:47.838 --> 00:45:50.239
me just mention a couple of things in

00:45:49.280 --> 00:45:52.280
that

00:45:50.239 --> 00:45:54.239
connection here which is you know the

00:45:52.280 --> 00:45:58.000
vision is in part a problem that

00:45:54.239 --> 00:45:58.000
somebody cares about

00:45:58.079 --> 00:46:01.880
and something new in your

00:46:05.159 --> 00:46:10.639
approach so the problem is understanding

00:46:08.000 --> 00:46:13.000
the nature of human intelligence and the

00:46:10.639 --> 00:46:17.000
approach is asking questions about what

00:46:13.000 --> 00:46:19.159
makes us different from chimpanzees and

00:46:17.000 --> 00:46:21.199
neandertals is it merely a matter of

00:46:19.159 --> 00:46:23.920
quantity or we just a little bit smarter

00:46:21.199 --> 00:46:26.399
in some continuous way or do we have

00:46:23.920 --> 00:46:28.519
something that's fundamentally different

00:46:26.400 --> 00:46:32.639
the chimpan Tendencies don't have and

00:46:28.519 --> 00:46:34.920
the Andals either and the answer is yes

00:46:32.639 --> 00:46:35.960
we do have something different we are

00:46:34.920 --> 00:46:38.519
symbolic

00:46:35.960 --> 00:46:41.440
creatures and because we're symbolic

00:46:38.519 --> 00:46:44.519
creatures we can

00:46:41.440 --> 00:46:47.039
um we can uh build symbolic descriptions

00:46:44.519 --> 00:46:49.199
of relations and events we can string

00:46:47.039 --> 00:46:50.519
them together and make stories and

00:46:49.199 --> 00:46:52.679
because we can make stories that's what

00:46:50.519 --> 00:46:55.358
makes us different so that's that's

00:46:52.679 --> 00:46:57.159
that's my stump speech that's how I

00:46:55.358 --> 00:46:58.199
start most of my talks on my my own

00:46:57.159 --> 00:47:02.399
personal

00:46:58.199 --> 00:47:04.078
research how do you express the notion

00:47:02.400 --> 00:47:07.800
that you've done

00:47:04.079 --> 00:47:10.359
something by listing the steps that need

00:47:07.800 --> 00:47:13.000
to be taken in order to achieve the

00:47:10.358 --> 00:47:14.679
solution to that problem you don't have

00:47:13.000 --> 00:47:17.280
to have done all of those steps but you

00:47:14.679 --> 00:47:20.118
can say here's here's what needs to be

00:47:17.280 --> 00:47:23.319
done an example here's what needs to be

00:47:20.119 --> 00:47:25.800
done we need to specify some Behavior we

00:47:23.318 --> 00:47:27.599
need to enumerate the constraints that

00:47:25.800 --> 00:47:30.039
make it possible to deal with that

00:47:27.599 --> 00:47:31.400
behavior we have to implement a system

00:47:30.039 --> 00:47:33.119
because we're engineers and we don't

00:47:31.400 --> 00:47:35.760
think that we've understood something

00:47:33.119 --> 00:47:37.318
unless we can build it and we've built

00:47:35.760 --> 00:47:38.680
such a system and we're about to

00:47:37.318 --> 00:47:41.199
demonstrate it to you today that would

00:47:38.679 --> 00:47:44.239
be an example of enumerating series of

00:47:41.199 --> 00:47:47.159
steps needed to realize the

00:47:44.239 --> 00:47:49.519
vision so then blah blah blah blah blah

00:47:47.159 --> 00:47:53.279
blah blah blah blah and then you

00:47:49.519 --> 00:47:56.599
conclude by you conclude by enumerating

00:47:53.280 --> 00:47:56.599
your contributions

00:48:01.000 --> 00:48:05.480
it's kind of mirror of of these steps

00:48:03.838 --> 00:48:07.799
and helps to establish that you've done

00:48:05.480 --> 00:48:11.240
something so that's a kind of general

00:48:07.800 --> 00:48:12.960
purpose framework for doing a technical

00:48:11.239 --> 00:48:15.519
talk

00:48:12.960 --> 00:48:18.639
now only a few more things left to do

00:48:15.519 --> 00:48:20.079
today uh getting famous is the next item

00:48:18.639 --> 00:48:22.000
on our agenda because once you've got

00:48:20.079 --> 00:48:23.599
the job you need to think a little bit

00:48:22.000 --> 00:48:24.719
about how you're going to be recognized

00:48:23.599 --> 00:48:28.720
for what you

00:48:24.719 --> 00:48:28.719
do so

00:48:28.760 --> 00:48:31.879
[Music]

00:48:33.559 --> 00:48:37.000
well first of all why should you care

00:48:35.000 --> 00:48:39.880
about getting

00:48:37.000 --> 00:48:41.280
famous I thought about this um in

00:48:39.880 --> 00:48:46.960
connection with

00:48:41.280 --> 00:48:46.960
a fundraising event I attended

00:48:47.119 --> 00:48:51.798
once fundraising event for raising money

00:48:49.798 --> 00:48:54.119
to save Venice from going underwater and

00:48:51.798 --> 00:48:57.039
having all of its art destroyed anyway I

00:48:54.119 --> 00:48:59.160
was sitting here

00:48:57.039 --> 00:49:05.000
and JC was sitting

00:48:59.159 --> 00:49:05.000
here that was uh Julia the late Julia

00:49:07.079 --> 00:49:13.200
Child and as the evening wore on more

00:49:10.079 --> 00:49:16.720
and more people would come up and ask

00:49:13.199 --> 00:49:19.199
Julia to autograph something or Express

00:49:16.719 --> 00:49:22.279
a a feeling that she had changed their

00:49:19.199 --> 00:49:25.558
life and it just happened over and over

00:49:22.280 --> 00:49:29.319
again So eventually I turned to Julia

00:49:25.559 --> 00:49:31.400
and I said Miss child is it fun to be

00:49:29.318 --> 00:49:34.838
famous and she thought about it for a

00:49:31.400 --> 00:49:38.119
second and she said you get used to

00:49:34.838 --> 00:49:40.440
it but you know what occurred to me you

00:49:38.119 --> 00:49:43.798
never get used to being

00:49:40.440 --> 00:49:45.280
ignored so it's you know it's it's

00:49:43.798 --> 00:49:47.599
here's a way to think about it your

00:49:45.280 --> 00:49:49.200
ideas are like your children and you

00:49:47.599 --> 00:49:51.640
don't want them to go into the world in

00:49:49.199 --> 00:49:52.919
rags so what you want to do is to be

00:49:51.639 --> 00:49:55.480
sure that you have

00:49:52.920 --> 00:49:57.318
these techniques these mechanisms these

00:49:55.480 --> 00:49:59.440
thoughts about how to present the ideas

00:49:57.318 --> 00:50:02.358
that you have so that they're recognized

00:49:59.440 --> 00:50:04.519
for the value that that is in them so

00:50:02.358 --> 00:50:07.000
that's why it's a legitimate thing to

00:50:04.519 --> 00:50:10.119
concern yourself with the with

00:50:07.000 --> 00:50:12.440
packaging now how do you get uh

00:50:10.119 --> 00:50:15.680
remembered well there's something I like

00:50:12.440 --> 00:50:19.720
to call Winston star and every one of

00:50:15.679 --> 00:50:21.000
the items I'm about to articulate has a

00:50:19.719 --> 00:50:24.439
starts with an

00:50:21.000 --> 00:50:26.719
S so if you want your presentation ideas

00:50:24.440 --> 00:50:28.920
to be remembered one of the things you

00:50:26.719 --> 00:50:31.318
need to do is to make sure that you have

00:50:28.920 --> 00:50:34.880
some kind of

00:50:31.318 --> 00:50:37.159
symbol associated with your work so this

00:50:34.880 --> 00:50:40.440
Arch example is actually from my PhD

00:50:37.159 --> 00:50:43.679
thesis many many years ago

00:50:40.440 --> 00:50:46.639
and in the course of uh my work uh at

00:50:43.679 --> 00:50:48.639
that time uh this work on Arch learning

00:50:46.639 --> 00:50:51.159
became mildly famous and I didn't know

00:50:48.639 --> 00:50:53.798
why it was only many years later that I

00:50:51.159 --> 00:50:56.318
realized that that work accidentally had

00:50:53.798 --> 00:50:58.679
all of the elements on this star so the

00:50:56.318 --> 00:51:02.440
first element is that there was a kind

00:50:58.679 --> 00:51:02.440
of symbol it's the arch

00:51:04.480 --> 00:51:08.960
itself next thing you need is some kind

00:51:06.798 --> 00:51:08.960
of

00:51:09.559 --> 00:51:14.680
slogan a kind of phrase that provides a

00:51:12.039 --> 00:51:18.719
handle on the work and in this case the

00:51:14.679 --> 00:51:18.719
phrase was one shot

00:51:19.159 --> 00:51:24.239
learning and it was one shot because the

00:51:22.079 --> 00:51:27.240
program I wrote learned something

00:51:24.239 --> 00:51:30.798
definite from every example that was

00:51:27.239 --> 00:51:33.358
presented to us so in going from a model

00:51:30.798 --> 00:51:34.880
based on this configuration to something

00:51:33.358 --> 00:51:36.838
that isn't an arch based on that

00:51:34.880 --> 00:51:40.358
configuration the program learned that

00:51:36.838 --> 00:51:43.239
it has to be on top one shot

00:51:40.358 --> 00:51:48.239
learning so that's a

00:51:43.239 --> 00:51:48.239
simple slogan now we need a

00:51:50.480 --> 00:51:54.880
surprise yeah the surprise is you don't

00:51:52.920 --> 00:51:57.760
need a million examples of something to

00:51:54.880 --> 00:52:00.280
learn you can do it with one example if

00:51:57.760 --> 00:52:02.720
you're smart enough to make use of that

00:52:00.280 --> 00:52:04.240
example appropriately so that was the

00:52:02.719 --> 00:52:06.078
surprise you can learn something

00:52:04.239 --> 00:52:10.399
definite from each

00:52:06.079 --> 00:52:10.400
example next item was a Salient

00:52:12.280 --> 00:52:17.680
idea now when I say Salient idea I don't

00:52:15.239 --> 00:52:18.798
mean important what I mean is an idea

00:52:17.679 --> 00:52:20.318
that sticks

00:52:18.798 --> 00:52:23.039
out

00:52:20.318 --> 00:52:24.639
uh some some thesis funnily enough have

00:52:23.039 --> 00:52:26.400
too many good ideas and you don't know

00:52:24.639 --> 00:52:28.159
what it's all about because which one is

00:52:26.400 --> 00:52:31.519
it it so you need an idea that sticks

00:52:28.159 --> 00:52:35.440
out and the idea that stuck out

00:52:31.519 --> 00:52:35.440
here was a notion of a near

00:52:38.159 --> 00:52:44.920
miss you see this is not an arch but it

00:52:41.679 --> 00:52:46.480
doesn't miss by much so it's a near

00:52:44.920 --> 00:52:49.798
Miss

00:52:46.480 --> 00:52:53.480
finally you need to tell the

00:52:49.798 --> 00:52:54.920
story of how you did it how it works why

00:52:53.480 --> 00:52:57.119
it's

00:52:54.920 --> 00:53:01.280
important so that's

00:52:57.119 --> 00:53:02.838
um a bit on uh how to not so much get

00:53:01.280 --> 00:53:04.760
famous but how to ensure that your work

00:53:02.838 --> 00:53:07.558
is

00:53:04.760 --> 00:53:09.160
recognized well that that we're almost

00:53:07.559 --> 00:53:12.480
finished because now we're we're down to

00:53:09.159 --> 00:53:15.078
this last item which is U how to

00:53:12.480 --> 00:53:16.679
stop and when we come to that there's a

00:53:15.079 --> 00:53:19.039
question of all right well what is the

00:53:16.679 --> 00:53:19.039
final

00:53:21.318 --> 00:53:26.159
slide and what are the final words

00:53:30.599 --> 00:53:35.920
so for the final slide let me give you

00:53:32.798 --> 00:53:35.920
some examples of

00:53:36.599 --> 00:53:40.160
possibilities how about this

00:53:41.079 --> 00:53:47.400
one well you might see that

00:53:43.920 --> 00:53:47.400
slide and

00:53:47.719 --> 00:53:52.679
uh think to yourself there are thousand

00:53:51.280 --> 00:53:55.680
faculty at

00:53:52.679 --> 00:53:57.759
MIT nice piece of work but not so much

00:53:55.679 --> 00:53:59.919
but it's only a tiny any piece of work

00:53:57.760 --> 00:54:01.920
if you divide by a

00:53:59.920 --> 00:54:03.880
thousand so when you show a whole

00:54:01.920 --> 00:54:05.960
gigantic list of collaborators at the

00:54:03.880 --> 00:54:07.760
end of a talk it's a kind of it's a it's

00:54:05.960 --> 00:54:09.798
it's it's a kind of let down because it

00:54:07.760 --> 00:54:11.160
suggests that nobody knows well did you

00:54:09.798 --> 00:54:13.119
do anything

00:54:11.159 --> 00:54:15.239
significant now you got to you got to

00:54:13.119 --> 00:54:17.680
recognize your collaborators right so

00:54:15.239 --> 00:54:20.558
where do you do that not on the last

00:54:17.679 --> 00:54:22.118
slide on the first slide all this was on

00:54:20.559 --> 00:54:23.798
the first slide these are the

00:54:22.119 --> 00:54:25.079
collaborators so you don't want to put

00:54:23.798 --> 00:54:28.079
them at the end you don't want a slide

00:54:25.079 --> 00:54:29.880
like this

00:54:28.079 --> 00:54:32.400
how about this

00:54:29.880 --> 00:54:33.760
one this is the worst possible way to

00:54:32.400 --> 00:54:38.318
end a

00:54:33.760 --> 00:54:41.559
talk because this slide can be up there

00:54:38.318 --> 00:54:44.719
for 20 minutes I've seen it happen it

00:54:41.559 --> 00:54:47.359
squanders real estate it squanders an

00:54:44.719 --> 00:54:49.919
opportunity to tell people who you are

00:54:47.358 --> 00:54:49.920
it's it's

00:54:50.679 --> 00:54:55.239
just what about this one

00:54:56.679 --> 00:55:00.239
I often see it I've never seen anybody

00:54:58.679 --> 00:55:04.919
write it

00:55:00.239 --> 00:55:04.919
down also it wastes

00:55:05.519 --> 00:55:09.719
opportunity oh my

00:55:07.219 --> 00:55:13.000
[Music]

00:55:09.719 --> 00:55:13.000
God even

00:55:13.880 --> 00:55:20.640
worse all of these slides do nothing for

00:55:17.159 --> 00:55:22.960
you they waste an opportunity for you to

00:55:20.639 --> 00:55:25.159
tell people to leave people with what

00:55:22.960 --> 00:55:28.318
you with who you

00:55:25.159 --> 00:55:30.318
are well well what about

00:55:28.318 --> 00:55:34.000
this this a good

00:55:30.318 --> 00:55:36.279
one it might seem so at first but here's

00:55:34.000 --> 00:55:36.280
the

00:55:37.239 --> 00:55:41.719
problem if you say these are my

00:55:39.960 --> 00:55:43.798
conclusions these are perfectly

00:55:41.719 --> 00:55:46.199
legitimate conclusions that nobody cares

00:55:43.798 --> 00:55:48.480
about what they care about is what you

00:55:46.199 --> 00:55:50.439
have done and that's why your final

00:55:48.480 --> 00:55:52.280
slide should have this

00:55:50.440 --> 00:55:54.200
label

00:55:52.280 --> 00:55:55.880
contributions it's a mirror of what I

00:55:54.199 --> 00:55:58.000
said over there about how job talks on

00:55:55.880 --> 00:55:59.760
to ought to be like a sandwich and the

00:55:58.000 --> 00:56:01.239
final Slide the one that's up there

00:55:59.760 --> 00:56:02.680
while people are asking questions and

00:56:01.239 --> 00:56:04.279
filing out it ought to be the one that

00:56:02.679 --> 00:56:08.239
has your contributions on

00:56:04.280 --> 00:56:11.519
it here's an example from my own stump

00:56:08.239 --> 00:56:14.879
speech yeah this is what uh I talk about

00:56:11.519 --> 00:56:17.798
a lot yes here are the things that I

00:56:14.880 --> 00:56:17.798
typically

00:56:20.039 --> 00:56:24.559
demonstrate and I wait for people to

00:56:22.000 --> 00:56:27.679
read it and then the final element there

00:56:24.559 --> 00:56:31.720
is this is what we get out of

00:56:27.679 --> 00:56:34.399
it so that's a example of a contribution

00:56:31.719 --> 00:56:37.639
line all right

00:56:34.400 --> 00:56:39.639
now what about the other part you know

00:56:37.639 --> 00:56:41.639
you got your final slide slide up there

00:56:39.639 --> 00:56:43.358
it's a contribution slide somehow you

00:56:41.639 --> 00:56:48.400
have to tell people you're

00:56:43.358 --> 00:56:48.400
finished so uh let's check out a few

00:56:49.039 --> 00:56:55.440
possibilities one thing you could

00:56:51.480 --> 00:56:58.240
do in the final words is you could uh

00:56:55.440 --> 00:56:58.240
tell a joke

00:56:59.798 --> 00:57:03.798
it's

00:57:01.440 --> 00:57:05.240
okay by the time you're done people have

00:57:03.798 --> 00:57:08.440
adjusted themselves to your voice

00:57:05.239 --> 00:57:08.439
parameters they're ready for a

00:57:08.920 --> 00:57:13.798
joke I was sitting in another bar this

00:57:11.239 --> 00:57:16.879
time in Austin Texas with a colleague of

00:57:13.798 --> 00:57:20.599
mine named Doug lenat and Doug's a

00:57:16.880 --> 00:57:23.160
fantastic speaker and so I said uh to

00:57:20.599 --> 00:57:27.240
Doug Doug you're a fantastic speaker

00:57:23.159 --> 00:57:29.639
what's your secret and he said oh

00:57:27.239 --> 00:57:31.078
I always uh finish with a joke and that

00:57:29.639 --> 00:57:33.318
way people think they've had fun the

00:57:31.079 --> 00:57:33.318
whole

00:57:34.400 --> 00:57:42.240
time so yeah a joke will work down

00:57:38.400 --> 00:57:42.240
there how about uh this

00:57:49.798 --> 00:57:56.318
one thank

00:57:52.880 --> 00:57:59.599
you I don't recommend it

00:57:56.318 --> 00:58:01.239
it's a weak move you will not go to hell

00:57:59.599 --> 00:58:02.798
if you conclude your talk by saying

00:58:01.239 --> 00:58:03.679
thank you but it's a weak move and

00:58:02.798 --> 00:58:06.960
here's

00:58:03.679 --> 00:58:09.118
why when you say thank you even worse

00:58:06.960 --> 00:58:11.480
thank you for listening it suggests that

00:58:09.119 --> 00:58:13.920
everybody has stayed that long out of

00:58:11.480 --> 00:58:15.838
politeness and that they had a profound

00:58:13.920 --> 00:58:17.519
desire to be somewhere else but they're

00:58:15.838 --> 00:58:19.318
so polite they stuck it out and that's

00:58:17.519 --> 00:58:21.920
what you're thanking them

00:58:19.318 --> 00:58:24.000
for so once wild Applause has started

00:58:21.920 --> 00:58:25.599
you can mouth a thank you and it's not

00:58:24.000 --> 00:58:26.880
there's nothing wrong with that but the

00:58:25.599 --> 00:58:29.000
last thing you do do should not be

00:58:26.880 --> 00:58:31.280
saying thank

00:58:29.000 --> 00:58:33.838
you now do you say to me well doesn't

00:58:31.280 --> 00:58:36.000
everybody say thank you well what

00:58:33.838 --> 00:58:36.759
everybody does is not necessarily the

00:58:36.000 --> 00:58:39.039
right

00:58:36.760 --> 00:58:41.319
thing and I'd like to illustrate how

00:58:39.039 --> 00:58:44.079
some talks can end without saying thank

00:58:41.318 --> 00:58:46.038
you I like to draw from political

00:58:44.079 --> 00:58:49.160
speeches but the ones that I've heard

00:58:46.039 --> 00:58:49.160
recently aren't so good

00:58:49.239 --> 00:58:53.598
so

00:58:51.159 --> 00:58:57.038
so I'm going to have to go go back a

00:58:53.599 --> 00:59:01.400
little bit so here's a Governor Christie

00:58:57.039 --> 00:59:04.480
he uh gave the U Republican keynote

00:59:01.400 --> 00:59:07.559
address one year uh this is the end of

00:59:04.480 --> 00:59:07.559
his talk let's see what he

00:59:08.239 --> 00:59:15.479
does and together everybody together we

00:59:12.358 --> 00:59:17.239
will stand up once again for American

00:59:15.480 --> 00:59:19.318
greatness for our children and

00:59:17.239 --> 00:59:21.639
grandchildren God bless you and God

00:59:19.318 --> 00:59:21.639
bless

00:59:22.639 --> 00:59:28.239
America that's some a classic

00:59:25.519 --> 00:59:29.599
benediction ending God bless you God

00:59:28.239 --> 00:59:31.639
Bless

00:59:29.599 --> 00:59:33.280
America now I I don't want to be

00:59:31.639 --> 00:59:36.440
partisan about this so I think I better

00:59:33.280 --> 00:59:38.039
switch to the keynote address in the Dem

00:59:36.440 --> 00:59:40.599
Democratic

00:59:38.039 --> 00:59:42.359
Convention I was delivered that year by

00:59:40.599 --> 00:59:44.838
by Bill Clinton who knows something

00:59:42.358 --> 00:59:44.838
about how to

00:59:45.440 --> 00:59:52.440
speak if that is what you want if that

00:59:49.199 --> 00:59:57.078
is what you believe you must vote and

00:59:52.440 --> 01:00:00.720
you must reelect President Barack Obama

00:59:57.079 --> 01:00:00.720
God bless you and God bless

01:00:08.719 --> 01:00:13.838
America now watch this let's go back a

01:00:12.000 --> 01:00:15.519
little bit and redo it what I want you

01:00:13.838 --> 01:00:17.920
to see is that at one point he seems to

01:00:15.519 --> 01:00:20.318
be almost pressing his lips together

01:00:17.920 --> 01:00:21.480
forcing himself not to say thank you and

01:00:20.318 --> 01:00:23.480
then there's another place where he does

01:00:21.480 --> 01:00:24.639
a little salute so watch for those this

01:00:23.480 --> 01:00:28.280
time

01:00:24.639 --> 01:00:31.480
around if that that is what you want if

01:00:28.280 --> 01:00:35.319
that is what you believe you must vote

01:00:31.480 --> 01:00:38.880
and you must reelect President Barack

01:00:35.318 --> 01:00:42.239
Obama God bless you and God bless

01:00:38.880 --> 01:00:45.599
America everybody's pursing his

01:00:42.239 --> 01:00:45.598
lips there's a

01:00:46.519 --> 01:00:51.239
[Applause]

01:00:48.639 --> 01:00:53.159
SL yeah I think that's pretty good now

01:00:51.239 --> 01:00:56.078
what are we going to take away from this

01:00:53.159 --> 01:00:58.118
well um I suppose I can conclude this

01:00:56.079 --> 01:00:59.318
talked by saying uh God bless you and

01:00:58.119 --> 01:01:03.280
God

01:00:59.318 --> 01:01:05.400
bless Institute of Technology but uh it

01:01:03.280 --> 01:01:06.519
might not work so well but what what you

01:01:05.400 --> 01:01:08.599
can't get out of this is you don't have

01:01:06.519 --> 01:01:10.798
to say thank you there are other things

01:01:08.599 --> 01:01:12.960
you can do and you know it's interesting

01:01:10.798 --> 01:01:14.719
that uh over time people figure this out

01:01:12.960 --> 01:01:18.760
and there's some stock ways of ending

01:01:14.719 --> 01:01:20.000
things so uh in the Catholic church in a

01:01:18.760 --> 01:01:23.760
good old Latin

01:01:20.000 --> 01:01:27.599
Mass it landed with it

01:01:23.760 --> 01:01:30.559
Miss EST

01:01:27.599 --> 01:01:33.400
which translates approximately to okay

01:01:30.559 --> 01:01:36.519
the mass is over you can go home

01:01:33.400 --> 01:01:39.400
now and of course uh at the musical

01:01:36.519 --> 01:01:42.400
concerts uh you know that uh it's time

01:01:39.400 --> 01:01:44.639
to clap not at the end of the song but

01:01:42.400 --> 01:01:47.160
rather when the uh conductor goes over

01:01:44.639 --> 01:01:49.078
and shakes hands with the concert Master

01:01:47.159 --> 01:01:52.399
those are conventions that tell you that

01:01:49.079 --> 01:01:56.278
the that the event is

01:01:52.400 --> 01:01:58.798
over so uh

01:01:56.278 --> 01:02:00.559
those are all possibilities for here but

01:01:58.798 --> 01:02:02.759
one more possibility and that is that

01:02:00.559 --> 01:02:02.760
you

01:02:04.400 --> 01:02:11.039
can salute the audience and by that I

01:02:07.960 --> 01:02:13.199
mean you can say something about how how

01:02:11.039 --> 01:02:18.119
much you value your time and a place so

01:02:13.199 --> 01:02:21.278
I could say well it's been a a great fun

01:02:18.119 --> 01:02:23.160
being here uh it's been uh fascinating

01:02:21.278 --> 01:02:27.278
to see what you folks are doing here at

01:02:23.159 --> 01:02:28.639
MIT I've been uh what stimulated uh and

01:02:27.278 --> 01:02:31.039
and provoked by the kinds of questions

01:02:28.639 --> 01:02:33.400
you been ask has been really great and

01:02:31.039 --> 01:02:35.400
and and I look forward to coming back on

01:02:33.400 --> 01:02:39.278
many occasions in the future so that

01:02:35.400 --> 01:02:39.278
salutes the audience you can do

01:02:39.719 --> 01:02:47.318
that well there it is um you know what

01:02:45.000 --> 01:02:49.760
uh I'm glad you're here and and the

01:02:47.318 --> 01:02:52.199
reason is by being here I think you have

01:02:49.760 --> 01:02:54.200
demonstrated an understanding that how

01:02:52.199 --> 01:02:56.399
you present and how you package your

01:02:54.199 --> 01:02:57.960
ideas is an important thing

01:02:56.400 --> 01:03:02.480
and I salute you for

01:02:57.960 --> 01:03:06.340
that and uh I uh suggest that you uh

01:03:02.480 --> 01:03:28.668
come back again and bring your friends

01:03:06.340 --> 01:03:28.669
[Applause]
